I tried out a pick cut from an old credit card---I use it when chopping---the thin pick allows me to just skim over the strings and seems help me with the chop. The thicker picks seem to be my preference when playing lead or during fills.
I love my Blue Chip, and my Dawg, and my Primetone, and my Buffalo horn. I find that it depends on the song. Some music sounds better with a Dawg, and another piece will sound better with the Blue Chip. That is my experience.
Weber F5 Bitteroot Octave - "...romantic and very complicated."
My instruments professionally maintained by...RSW
https://www.youtube.com/watch?v=B7UmUX68KtE
I like those myself. The full sized. 1.0, 1.14 and 1.5. Has a little "tread" on it. I have a couple of Gibson "heavy" that I believe I bought with my first mandolin about 40 years ago. Wife found those in a box. Can barely see the inscription on those. I'll use those occasionally also.
Ray Dearstone #009 D1A (1999)
Skip Kelley #063 Offset Two Point (2017)
Arches #9 A Style (2005)
Bourgeois M5A (2022)
Hohner and Seydel Harmonicas (various keys)
"Heck, Jimmy Martin don't even believe in Santy Claus!"
In Richard D Smith's bio, of Bill Monroe, I recently read an anecdote where Bill was using a Gibson mandolin, on loan, while Gibson repaired two of his mandolins that were vandalized. There was no pick in the case and a group member gave him a rather loud looking, promotional, Day-Glo pick he'd been given. During some sort of workshop, students of the mandolin were asking him 1) What strings he used? After he answered that, they asked 2) about what picks he used. He held up the Day-Glo pick and answered, "This one." Of course I am not certain of the validity of the story. Although my wife met him years ago, I never even saw him except for pictures or on TV.
Ray Dearstone #009 D1A (1999)
Skip Kelley #063 Offset Two Point (2017)
Arches #9 A Style (2005)
Bourgeois M5A (2022)
Hohner and Seydel Harmonicas (various keys)
"Heck, Jimmy Martin don't even believe in Santy Claus!"
its the Mallet, Drumstick of the mandolin.
writing about music
is like dancing,
about architecture
Ray Dearstone #009 D1A (1999)
Skip Kelley #063 Offset Two Point (2017)
Arches #9 A Style (2005)
Bourgeois M5A (2022)
Hohner and Seydel Harmonicas (various keys)
"Heck, Jimmy Martin don't even believe in Santy Claus!"
Even if the listener can't tell the difference--you can it may make a difference in your playing--so it is good to experiment & find out what you like.
Would it save you a lot of time if I just gave up and went mad now?
No one has mentioned these yet. I tried them on the recommendation of a forum member and, at the moment, prefer them over anything else in my pick collection. Second place, ProPlec or BC TPR60.
Planet Waves Shell-Color Celluloid Guitar Picks, 10 pack, Extra Heavy, Wide Shape https://www.amazon.com/dp/B001PGXJWY..._u4woxbAKSDN0R
I find I can't decide what I like from week to week. I bring a few different ones and use whatever feels right that day... or song to song. I use a super thin pick on acoustic guitar and grip it close to the end if I need stiffer. my fav all around pick is some old tortoise shell I don't even remember what brand it is now. it is worn round now. I have a golden gate dawg pick that is great for tremolo.
Kala tenor ukulele, Mandobird, Godin A8, Dobro Mandolin, Gold Tone mandola, Gold Tone OM, S'oarsey mandocello, Gold Tone Irish tenor banjo, Gold Tone M bass, Taylor 214 CE Koa, La Patrie Concert CW, Fender Strat powered by Roland, Yamaha TRBX174 bass, Epiphone ES-339 with GK1
I'm using a buffalo horn pick now I I really like. Before that I used Primetone.
I figured why this weekend got me. my soft pick got even softer than normal due to heat. I choked up and wore my fingernail down. we were a humid 30c. 30c 10 blocks from the ocean is really hot LOL and no wind.
I like my dawg golden gate for tremolo, I like most of the tortoise shell type picks. a lot of nylon gets jagged edges when they wear... the big stubby are interesting made of lexan, the sharp points wear round pretty quick on mandolin. tonight I have a .50 dunlop, a dawg and a red big stubby triangle.... I have to watch with the new mandolin as there isn't much space between string and coverplate and easy to hit with a sharp pick if I dig in too flat
Kala tenor ukulele, Mandobird, Godin A8, Dobro Mandolin, Gold Tone mandola, Gold Tone OM, S'oarsey mandocello, Gold Tone Irish tenor banjo, Gold Tone M bass, Taylor 214 CE Koa, La Patrie Concert CW, Fender Strat powered by Roland, Yamaha TRBX174 bass, Epiphone ES-339 with GK1
I go with the ProPlec 1.5's, which are easy to find in stores and cheap to replace. I like the brightness that they give without being tinny. I use the larger version of that pick for mandocello, too.
still trying to turn dreams into memories
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