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  1. Replies
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    Re: Can I say tap-tuning on MC?

    I don't know much about the subject but when I saw the video of Roger hammering the tonebars of a mandolin with the top attached to the sides I thought to myself that can't be how Gibson did it since...
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    1,125

    Re: Bowl back science

    I just skimmed the article yesterday, but took away a few things that I already knew - sorta. At one point, I did interferometry and a few other things on a 1921 (?) Calace that Mike Schroeder had...
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    2,289

    Re: Lutherie as an art form

    Roughly 25 yrs ago, I went to the Atlanta College of Art and after 4 years I received a Bachelors Degree in Fine Arts with a Concentration in Sculpture. It's where I learned the basics of...
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    713

    Re: Pick up Installation

    I've installed K&K and JJB piezoelectric soundboard transducers in quite a few instruments, including violins, violas and f-hole mandolins.

    There are some differences between installations in a...
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    3
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    891

    Re: Peter Coombe Lyon and Healy Replica

    A friend of mine owns one. It's a beauty, and he's very happy with it. I've played it, and it's superb.
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    1,934

    Re: Most common failures and problems

    #1= operator error!
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    40
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    2,329

    Re: Slotting fingerboards

    If you're doing it for your own use you don't have to be as efficient. You can simply do something else while the CNC slowly cuts the slots and you can have the luxury of dead ends. But making it for...
  8. Replies
    54
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    3,776

    Re: What's GDAE and audible in a session?

    I have to agree with Dagger on these points.

    Octave mando is lovely to play at home or in a small group setting, but is very easily lost in the mid-range at a pub session, especially if there are...
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    2,674

    Re: RIP Frank Ford

    One of the great gentlemen of the stringed instrument world. Rest in peace, Frank.
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    1,097,048

    Re: post a video of yourself

    I like it. Also like your nice collection of instruments.
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    1,663

    Re: New build question - type of maple?

    I don't want to get too snarky here, but; who is building the mandolin? If the builder likes sugar maple and thinks he/she can get you the sound you want using it, what difference does it make what...
  12. Thread: Flexibility

    by j. condino
    Replies
    21
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    2,984

    Re: Flexibility

    Yes sir.

    The Oberlin Summer Acoustics workshops are the most numerically nerdy event that I have attended. All week is spent measuring and calculating everything possible. Most of the better...
  13. Thread: Flexibility

    by Dave Cohen
    Replies
    21
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    2,984

    Re: Flexibility

    There are a few things about "stiffness" that always seem to get glossed over. What's somewhat discouraging about this is that the information is not new; it's been around - and available - for a...
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    3,472

    Re: Mandolin side thickness

    I've pretty consistently thinned my sides to ~0.070 (~1.8 mm), which is in the ballpark of what everyone else here is reporting. I want the lower mass that goes with thinner sides.

    Still, there...
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    4,860

    Re: What is a "master luthier"?

    Many years ago the discussion came up at the shop of my former employer. As we worked on instruments one day we asked ourselves; 'what is a "master" luthier?'
    As one can imagine, the discussion was...
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    7,272

    Re: What effects sound?

    To each their own. Seems a bit self-contradictory though, in that you start by asking "What effects sound?", and now say in essence that you don't need anything more complicated than tapping your...
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    3,414

    Re: Varnish vs Lacquer

    I’ll go ahead and put the target on my back. I use varnish because of the sound. Fire away.
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    3,231

    Re: Study of overtones- Loar, Gil, etc?

    I don't know about the article alluded to by the OP. Since it was not published in a peer-reviewed journal, I wouldn't know where to start looking for it. My work on mandolins began in 1999, which...
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    10,616

    Re: Rosewood Mandolins?

    Every builder will do different things with the same materials; a specific wood or board often means nothing in another's hands. I've built out of dozens of other materials over the last 4 decades....
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    6,684

    Re: Tell me why not: Carbon fiber bracing.

    I got to thinking that I didn't make something clear enough for the OP. As sunburst pointed out, the lowest normal mode in plucked string instruments is somewhat like what people think of as a...
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    6,684

    Re: Tell me why not: Carbon fiber bracing.

    It seems like no matter what suggestions folks in this thread are making, the original poster is not satisfied. You are asking for definitive answers to a problem that only exists in your own head....
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    6,684

    Re: Tell me why not: Carbon fiber bracing.

    Because wood has different amounts of movement in different directions (more movement tangentially, less movement radially and essentially none longitudinally) wood workers are taught to avoid...
  23. Re: Neapolitan Mandolin Build in Naples - November 2022

    Update time

    There are now 20 ribs on the mould. We have turned the corner to coin a phrase. The centre back of the bowl is relatively flat and the bowl then rises steeply. this transition occurs...
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    Re: Wood binding

    Some photos of an F mandolin (in the white) bound in wood. The fretboard is single-bound in 0.060" curly maple. The headstock and pick guard are single-bound in 0.040" curly maple. The body is...
  25. Re: Neapolitan Mandolin Build in Naples - November 2022

    End of Day 3. There are now six ribs fitted to the mould.. The basic process is to bend the ribs to shape, then mark out the widths. The rib widths are determined by dividing a sector of the mould...
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