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Re: Eastman OM - a one-month review
The Eastman OM showed up today. Wow - I’m thrilled with this - so much fun to play. It’s set up really well. I will try to post a video soon. I really love the variation in sound moving from the open G up to the E and A courses, especially fretted up the neck. This thing covers such a wonderful range of tone and pitch!
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Re: Eastman OM - a one-month review
Lucky you -- where did you find one?
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Re: Eastman OM - a one-month review
Someone here at the cafe was selling in the classifieds.
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Re: Eastman OM - a one-month review
Here’s a link to a video I made playing Dry and Dusty on the MDO305. Really having a great time getting to know this thing.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
lukmanohnz
Here’s a link to a video I made playing Dry and Dusty on the MDO305. Really having a great time getting to know this thing.
Yeah man...that sounds very nice.
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Re: Eastman OM - a one-month review
Nice tone on the Dry and Dusty!
I'll have to give that tune a go too!
f-d
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
fatt-dad
Nice tone on the Dry and Dusty!
I'll have to give that tune a go too!
f-d
Thx! It just seemed like the perfect tune to play on the octave. The sustain is so nice on the Eastman :mandosmiley:
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Re: Eastman OM - a one-month review
What I notice, I can't play anything up to dance tempo, but all the tunes sound curiously different.
Stuff like that entertains me!
f-d
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Re: Eastman OM - a one-month review
I received an MDO305 two weeks ago. Been playing regularly and enjoying the sound. Took the advice from here and immediately put mandola strings on the instrument. I am finding the stretch between frets is a real workout, but interestingly, the same tunes on mandolin now seem remarkably simple! Have been wondering if the difference of one inch in the scale between the Eastman and the Weber 20" scale makes it any easier to use the mandolin fingerings I've learned for melody lines.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
lukmanohnz
Here’s a link to a video I made playing Dry and Dusty on the MDO305. Really having a great time getting to know this thing.
That sounds great! Nice tune, I've never heard it before, I'll have to give it a try myself.
@Russ Donahue, I've heard so many people say they like the mandola strings on the MDO-305, but I haven't heard any clips of what they actually sound like. Have you come across any, or perhaps have one of your own you could share? Do they change the sound of the instrument as well as the feel?
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
lukmanohnz
Here’s a link to a video I made playing Dry and Dusty on the MDO305. Really having a great time getting to know this thing.
That's a nice use of sustain and partial chords on that OM. That's what they're made for when playing melody, in my opinion. The slower tunes where you can really work the sustain of the longer scale compared to a mandolin.
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Re: Eastman OM - a one-month review
Yea, what FP said. Nice interpretation of the tune, one of my faves.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
bbcee
Yea, what FP said. Nice interpretation of the tune, one of my faves.
It’s pretty much how Joe K. Walsh teaches it in his Peghead Nation course (except played on an OM instead of mando ;-) so I can’t really take credit for anything but the mistakes.....
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Re: Eastman OM - a one-month review
This tune - Inverness - was written by John Mailander and he plays it on an octave mandolin. Took me a bit to get those crooked measures down, but once it gets in your fingers it's hard to stop playing this one. Over and over and over and over and over and....... It's like octave mandolin crack. Joe K. Walsh teaches it in his octave mandolin course on Peghead Nation.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
lukmanohnz
This tune - Inverness - was written by John Mailander and
he plays it on an octave mandolin. Took me a bit to get those crooked measures down, but once it gets in your fingers it's hard to stop playing this one. Over and over and over and over and over and....... It's like octave mandolin crack. Joe K. Walsh teaches it in his
octave mandolin course on Peghead Nation.
"Sam Brown Hill" is addictive too - also from Joe's course. Finally have that down. And, you did a great job on Inverness - very smooth. Something for me to aspire to (next).
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
shaundeane
"Sam Brown Hill" is addictive too - also from Joe's course. Finally have that down. And, you did a great job on Inverness - very smooth. Something for me to aspire to (next).
Thanks! Yes - I got SBH under my fingers then moved on to Inverness. The rhythm part for Inverness is still a work in progress. Joe’s crosspicking is so beautiful - those subtle little runs and embellishments he adds when playing rhythm just make it so sublime. I really want to try and capture that feeling. Are you taking his improv workshop too? Yesterday’s first session was great.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
lukmanohnz
Thanks! Yes - I got SBH under my fingers then moved on to Inverness. The rhythm part for Inverness is still a work in progress. Joe’s crosspicking is so beautiful - those subtle little runs and embellishments he adds when playing rhythm just make it so sublime. I really want to try and capture that feeling. Are you taking his improv workshop too? Yesterday’s first session was great.
I am, yes and agree and also taking Matt Flinner's Octave course. Something is bound to stick, I figure.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
JMFingerstyle
That sounds great! Nice tune, I've never heard it before, I'll have to give it a try myself.
@Russ Donahue, I've heard so many people say they like the mandola strings on the MDO-305, but I haven't heard any clips of what they actually sound like. Have you come across any, or perhaps have one of your own you could share? Do they change the sound of the instrument as well as the feel?
Hi JMFingerstyle. I saw your note. Will get you a recording sometime soon. Thanks for asking. Standby!
FWIW, I've also started playing with a capo at the second fret, which makes fiddle tune fingering SO MUCH EASIER. Just means my guitar playing buddy ends up capoing at the second as well so we are in the same key!
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
Russ Donahue
Hi JMFingerstyle. I saw your note. Will get you a recording sometime soon. Thanks for asking. Standby!
FWIW, I've also started playing with a capo at the second fret, which makes fiddle tune fingering SO MUCH EASIER. Just means my guitar playing buddy ends up capoing at the second as well so we are in the same key!
Well, I just switched to EJ72 Mandola strings on my MDO-305, having previously used the EJ80s. I've got mixed feelings. While they've improved the "flubberiness" (is that even a word?) of the G, I think that the sound is overall a little flatter with less overtones than the EJ80s. In fact, when I put them on and started playing a bit, my wife poked her head in the room and asked why the new strings sounded so dull.
Overall, I like the feel of the EJ72s over the EJ80s, but I'm not enchanted with the sound. I'll give them a little time to see if they grow on me.
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
JMFingerstyle
Overall, I like the feel of the EJ72s over the EJ80s, but I'm not enchanted with the sound. I'll give them a little time to see if they grow on me.
I did the exact same switcheroo. I too am torn, but will probably stick with the heavier set. If I want more "jangle," well, that's what my zook is for :)
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Re: Eastman OM - a one-month review
I’m a mandolin rookie and my first one is the Eastman MDO305. I’ve been playing several other instruments since the mid-1950s. I’m about to hit four months on the mando and I’m liking it a lot. First upgrade was EJ72 strings, second was Rubner tuners and it’s in the shop now for a full setup plus replacing the saddle. The sound of the shallow, fairly small (for an OM) body is actually to my liking. Think parlor guitar in a way. Not long ago I got a Ratliff Country Boy mandolin and the two instruments are complementary. I’ll switch between them according to the songs we play … as my skills grow, that is.
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Re: Eastman OM - a one-month review
Just got an Eastman, too. Any advice on strings for "Chicago tuning" - DGBe???
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Re: Eastman OM - a one-month review
Sorry to dig up an old thread, but I just picked up a MDO305. It sounds very thin to me. My mandola (Collings) has a much deeper and richer sound. I was thinking that I would try to return it, but then saw this thread. I realize it won't be a night and day difference but possibly EJ72 strings might give a little more girth to the G & D strings?
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Re: Eastman OM - a one-month review
Quote:
Originally Posted by
McIrish
Sorry to dig up an old thread, but I just picked up a MDO305. It sounds very thin to me. My mandola (Collings) has a much deeper and richer sound. I was thinking that I would try to return it, but then saw this thread. I realize it won't be a night and day difference but possibly EJ72 strings might give a little more girth to the G & D strings?
They work for me. The Collins, IIRC, has a deeper body. This does change the characteristics of the instrument, but the heavier strings will help "close the gap." I go back and forth between the Octave set and the Mandola set, depending on my mood.
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Re: Eastman OM - a one-month review
Are you using the EJ72 or EJ76 mandola strings?