chop or other rhythm techniques for octave mandolin?
Hello! I am brand new here, both to mandolin and the forum. I (unusually?) opted to start with an octave mandolin.
A traditional mandolin is an incredibly percussive instrument. See: chop chords. I'm having trouble figuring out whether the octave mandolin would/could/should be used in a similarly percussive manner.
Is my issue purely due to being a noobie and needing to develop technique? If so, whose chop technique best translates onto an octave mandolin?
If you chop on an octave, which shapes/strings do you use and what technique do you use to mute?
If one generally doesn't chop on an octave, are there other percussive techniques used?
Are there other less percussive backup techniques to look out for?
Or, is the octave mandolin really best used melodically?
I don't want to sink too much time and energy into using the instrument in a way its not suited to, but also don't want to miss out on opportunities to use my octave mando to its fullest.
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
Yophie
I don't want to sink too much time and energy into using the instrument in a way its not suited to, but also don't want to miss out on opportunities to use my octave mando to its fullest.
Enjoy your new instrument!
As for the octave mandolin, it really depends what sort of music you like and would care to play. ITM or other "Celtic" music? Italian music? Obviously Bluegrass since you mention the "chop"; swing and jazz; Klezmer...etc.?
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
DavidKOS
Enjoy your new instrument!
As for the octave mandolin, it really depends what sort of music you like and would care to play. ITM or other "Celtic" music? Italian music? Obviously Bluegrass since you mention the "chop"; swing and jazz; Klezmer...etc.?
Haha right! Well, I was specifically thinking bluegrass here, but I actually am also quite keen to play swing jazz (trad and gypsy especially) and Celtic. Forgive my ignorance... what does ITM stand for?
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
Yophie
Haha right! Well, I was specifically thinking bluegrass here, but I actually am also quite keen to play swing jazz (trad and gypsy especially) and Celtic. Forgive my ignorance... what does ITM stand for?
ITM is "Irish Traditional Music".
"quite keen to play swing jazz (trad and gypsy especially"
Good, because I can offer some assistance there, being a native New orleans jazz musician and a player of gypsy/Manouche jazz.
Both trad and Gypsy jazz share a similar rhythm tradition - straight 4/4 swing chordal accompaniment. Also, in the Gypsy jazz world, the American "straight 4" style of 4 chordal strums, one on each beat, is slightly adapted into what is called the "Pompe", by adding some other pick strokes to help add the feel of a snare drum
https://www.youtube.com/watch?v=SIivOdEojv0
https://www.youtube.com/watch?v=LLir8HXS4sc
https://www.youtube.com/watch?v=t77H40_WqB4
https://www.youtube.com/watch?v=nDpakBkHqas
https://www.youtube.com/watch?v=E_BJCwBwq7E
The American swing style is simpler - but no less musical - in that it is just quarter notes...but there is a style:
https://www.youtube.com/watch?v=h7i6S4_vi3g
https://www.youtube.com/watch?v=O_gNBgC_gg4
https://www.youtube.com/watch?v=2ffiDJxGldo
https://www.youtube.com/watch?v=O6yE7VGaFgU
There are many more videos on youtube on these subjects...have fun learning!
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
Yophie
A traditional mandolin is an incredibly percussive instrument. See: chop chords. I'm having trouble figuring out whether the octave mandolin would/could/should be used in a similarly percussive manner.
That is an over-generalization. Yes, if you play a chord on a mandolin and then quickly mute it, that could be considered percussion and that is usually the purpose in a bluegrass band since there are usually no drums. However, most of us mandolin players here would not consider a mandolin a percussion instrument.
ITM = Irish Traditional Music
You could chop an octave mandolin but it would not be easy and probably would to sound great. Melody, counter-melody, chords sound great. If you want to play an octave in a bluegrass band you may be duplicating at least part of the range of the guitar. That is why you don't see too many OMs in traditional bluegrass bands.
Take a look at some videos where there are OMs or bouzoukis (similar in tuning but longer scale—sometimes octave strings in the lower pairs and often with the first string tuned down). Lots of irish music, some songs accompanied by OM or bouzouki. Modern music by Sierra Hull and some other players that people will recommend. You can get an idea of what to do with it.
In short: more of a chordal or accompanying instrument than percussion IMHO.
Re: chop or other rhythm techniques for octave mandolin?
I did a search for "Tim O'brien octave mandolin" and found some great live videos. (He plays different genres, including bluegrass and celtic, on different instuments, including mandolin and octave mandolin.) He does some great backing stuff while he's singing and then some fantastic solos. He does do some string dampening "vamping" - I don't know if it's quite a "chop" - as well as strumming and other things: loads of good ideas there too.
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
DavidKOS
David....that post alone is going to keep me out of mischief for quite awhile! Thank you.
Re: chop or other rhythm techniques for octave mandolin?
On the Mandolin and Beer podcast I heard Mike Marshall say that chop chords shouldn't be played on Octave Mandolins. He mentioned this when giving an example of the type of mistakes he may see one of his students make in his ArtistWorks course.
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
ajh
David....that post alone is going to keep me out of mischief for quite awhile! Thank you.
Unlike the 70's, when info on gypsy jazz was in short supply, one can find an amazing amount of musical instruction on that - and many other subjects - on the internet.
Take care, have fun.
Re: chop or other rhythm techniques for octave mandolin?
if you can reach a chop chord on an OM, go for it!
I mean, I got long finger, but. . .
f-d
Re: chop or other rhythm techniques for octave mandolin?
I can 'chop' barre chords on an OM, and I do it on my tenor a lot. I don't really try to reach the real chop chords.
It mostly sounds like a muted guitar, but there is a lot of variety of sounds you can make, adds to the fun. :-)
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
kurth83
I can 'chop' barre chords on an OM, and I do it on my tenor a lot. I don't really try to reach the real chop chords.
It mostly sounds like a muted guitar, but there is a lot of variety of sounds you can make, adds to the fun. :-)
Yep, you can "chop" on a bass cl or sax too.
- - - Updated - - -
Quote:
Originally Posted by
Jim Garber
... mandolin players here would not consider a mandolin a percussion instrument.
It's a chordophone, yes, but among the common chordophones it is rather a percussive little beastie, especially archtops.
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
catmandu2
It's a chordophone, yes, but among the common chordophones it is rather a percussive little beastie, especially archtops.
Of course anything can be percussive if you want to make it so. I can take a set of mallets to a piano or even a violin. Most of us revel in the multiple sound of mandolins but generally concentrate on its melodic nature.
Re: chop or other rhythm techniques for octave mandolin?
Quote:
Originally Posted by
Jim Garber
Of course anything can be percussive if you want to make it so. I can take a set of mallets to a piano or even a violin. Most of us revel in the multiple sound of mandolins but generally concentrate on its melodic nature.
Well, ya, but those other instruments have other sonic capacities too - like some legato quality to some extent or other. Without those other dimensions (comparatively), it's what makes the mandolin what it is..
A laud or quatro or OM doesn't have the same percussive qualities. I think it's what makes a mandolin distinctive (a good thing, to my mind, since there are other instruments to use when the percussiveness of mndln isn't desired). All instruments have their strengths - may as well exploit that.
Re: chop or other rhythm techniques for octave mandolin?
Yophie, you're after my own heart. I bought my OM about 2.5 months after I bought my mandolin. One of our sponsors (Elderly Instruments) had a 2016 Eastman MDO305 in excellent condition at a price I couldn't ignore. . . . I would love to know more about your relationship with music in general--some context for the octave, I suppose--if I'm not prying.
Re: chop or other rhythm techniques for octave mandolin?
Matt Flinner is offering a course on the OM beginning end of March
https://www.mattflinner.com/2021/01/...lum-3-31-5-29/
