Popular thread this! Here is what's on mine:
nigel
http://www.nkforsterguitars.com/inst...itar-bouzouki/
Popular thread this! Here is what's on mine:
nigel
http://www.nkforsterguitars.com/inst...itar-bouzouki/
Slick. Bubinga, sapele, or...?
Looks like a particularly nice batch. Bubinga is a superb tonewood, one of my favorites. Also, it makes almost indestructible kid's toys, as my sons have figured out by messing with scraps.
I'd say.
Bill
IM(NS)HO
Adding random inoperative whammy bars to the melon bass for the halloween surf music gig.......
I hadn't noticed the strap hanger on that before. That's some exceptional design work!
WOW Marty!
aka: Spencer
Silverangel Econo A #429
Soliver #001 Hand Crafted Pancake
Soliver Hand Crafted Mandolins and Mandolin Armrests
Armrests Here -- Mandolins Here
"You can never cross the ocean unless you have the courage
to lose sight of the shore, ...and also a boat with no holes in it.” -anonymous
I know that feeling, but it's nice looking. I'd like to hear it.Never did so many dumb mistakes on an instrument before.
Bill
IM(NS)HO
Going to glue the bridge on this 0-size today, hope to string it up this week.
It "came out" awesome!
It sure looks awesome! Having just checked out your website, I'm curious how Douglas Fir performs as a tonewood. I'm also wondering if you have an progress pics of the Size-1 guitar from this batch. I've been quite impressed with your Size-2 tenor, and I've been itching for a parlor guitar of late.
1924 Gibson A Snakehead
2005 National RM-1
2007 Hester A5
2009 Passernig A5
2015 Black A2-z
2010 Black GBOM
2017 Poe Scout
2014 Smart F-Style Mandola
2018 Vessel TM5
2019 Hogan F5
Hi, thanks for your kind words.
It was just an experiment, because I can.
The wood was a very old board that was salvage, tight grain and fairly heavy for Doug Fir. I left it about .130" on the back and .100" on the sides to make it stiffer and heavier as a back and sides set, but it was still light as compared to Mahogany. The top is Red Spruce, so it is the main tone maker, but the whole body vibrates as you would expect an "all conifer" body to. I took it to a show today and everyone who played it was impressed at its volume and tone, as I have been, but it certainly is a "non-traditional" build. I enjoy building odd-ball wood sets, but still think that traditional woods offer the best over all build, and by "traditional" I mean a hardwood for back & sides and some sort of Spruce for the top.
I don't take as many pictures as I used to, so I don't have anything that would satisfy a "progress picture" request.
I have quit building the Size-2 and the Size-1 is the smallest guitar that I want to build, and think it is the sweet spot for a Parlor guitar.
Well, it's what's on my bench...
Just a little more Glue, Irish Bouzouki.
Cedar top, Cherry side, Very curly Maple back, Maple Carbon rod inforsece
neck.
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