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Thread: Nocturne No. 2 (Jean Vogt, 1853), mandolin quartet

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    Registered User Martin Jonas's Avatar
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    Default Nocturne No. 2 (Jean Vogt, 1853), mandolin quartet

    Jean Vogt (1823-1888): Nachtgesang No. 2, Op. 10/2
    Arranged for mandolin quartet by Paul Rink.

    This is a very delicate little nocturne written by the German romantic composer and pianist Jean Vogt when he was working in St. Petersburg in 1853. The original version was written for violin and piano. This arrangement for mandolin quartet was published in Berlin in the early 1900s. The original composition was in Ab major, but Rink transposed it one semitone up to A major. I attach the arrangement, which I got from the Nakano site. The original violin/piano version and two organ versions are at IMSLP here.

    I have played it on two vintage Italian bowlback mandolins, with mandola and tenor guitar.

    1915 Luigi Embergher mandolin
    1890s Umberto Ceccherini mandolin
    Mid-Missouri M-111 octave mandolin
    Ozark tenor guitar



    Paintings by James Abbott McNeill Whistler (1834-1903).

    Martin
    Attached Thumbnails Attached Thumbnails Vogt-J-MV25-1.pdf  

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    I may be old but I'm ugly billhay4's Avatar
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    Default Re: Nocturne No. 2 (Jean Vogt, 1853), mandolin quartet

    Nice Martin. Interesting selection of artwork, too.
    Bill
    IM(NS)HO

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    This Kid Needs Practice Bill Clements's Avatar
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    Default Re: Nocturne No. 2 (Jean Vogt, 1853), mandolin quartet

    Bravo, Martin.
    Thanks for sharing, as always.
    "Music is the only noise for which one is obliged to pay." ~ Alexander Dumas

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    Registered User rebus's Avatar
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    Default Re: Nocturne No. 2 (Jean Vogt, 1853), mandolin quartet

    You're always so pleasant to listen to

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  9. #5
    Registered User Martin Jonas's Avatar
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    Default Re: Nocturne No. 2 (Jean Vogt, 1853), mandolin quartet

    Thanks for the kind comments! I like trying out obscure pieces which look promising from the score -- this particular nocturne seems to have been quite popular in the 19th century (a fair number of archive hits on Google), but I haven't found any trace of previous sound recordings. It means I can approach the score unencumbered by performance history or preconceptions.

    I find this one very charming, in particular the lightly plucked sixteenth-note passage. The paintings by Whistler are in a style he invented and titled "nocturnes", after the musical composition form. The fuzzy twilight-blurred outlines and washed out colours match the dreamy style of the music.

    Martin

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