Thanks. Very cool display.
Got to thinking about why guitar picks are A-OK with me. I see a pick as a point delivery system. The point is the business end of this, and the rest is there just to provide the user with the means to hold onto it, so as to be able to apply the point to its purpose. If a small old-school pick works for you, fine; I prefer having a pick with enough surface area to hold onto so I don't have to think about it at all. The standard guitar pick shape is certainly satisfactory in this regard, a large triangle is perhaps even better - with three points, it should last three times as long, in theory if not practice.
But that's just my opinion. I could be wrong. - Dennis Miller
Furthering Mandolin Consciousness
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I use Dawg picks. I bought them at first when I moved on from Fender Medium guitar picks. I chose them mostly for the name and price. I bought a few and thought they were fine and they sound great in my living room. But, I did think they lacked volume, so I took one to a grinding wheel and sharpened it up. It sounds louder and clearer now, but After skimming through this discussion, I'm now inclined to try something else. This should be a fun experiment!
Paul
Weber Custom Vintage A
Alvarez A-100
'82 Fender Bullet (USA)
'55 Harmony Master Model
'62 Harmony Tenor Guitar
It's really weird - when I first started playing, I gravitated toward rounder points on my picks. I found them much easier to play with relative speed and accuracy, at that time. Over the years, though, I have reversed, and done a complete 180 degree turnaround. Today if I try to play with a rounded point pick, it feels really clumsy, slows me down tremendously, makes me miss notes in fast passages - all the exact same things that used to happen to me in the beginning when I would try to play with a pointed pick! Go figure... some things are just inexplicable, I guess. But right now, give me pointed picks.
bratsche
"There are two refuges from the miseries of life: music and cats." - Albert Schweitzer
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Maybe so. I also play oud and Greek bouzouki, the current favored Bouzouki pick is a small triangle, medium or a bit harder, but the oud is played with a long plastic mezrab or risha, which was a feather originally.
I may have made this "point' on several pick threads!
Sure
Pettine:
Modern Heart, variation of an old style:
The well-used picture from http://www.marilynnmair.com/:
Note the variety including the Roman/Ranieri picks; I use the Neapolitan types.
http://www.dandreausa.com/proplecs
D'Andrea has been making picks a long time.
from Pick Punch:
another chart on a couple of sites:
And a really old picture of D'Andrea picks from http://pickcollecting.presspublisher...-s-army-browns
Quite a variety of Neapolitan picks, even a Roman style, #18.
1928-47 vintages.
another site with info:
http://www.oldpicks.com/photos.php
http://www.oldpicks.com/catalogs.php
1928 D'Andrea catalog - lots of shapes
http://www.oldpicks.com/attachments/File/DA_1928.pdf
I stopped using a pick on guitar 25 years ago. (I started playing 26 years ago). When I started mandolin 9 or so years ago, I had to learn how to use a pick. (the arguments I had with ignoramuses about using picks - 'what electric guitarists use their fingers? 'erm, Jeff Beck? Is he good enough for you?). I gravitated to jazzmando proplecs, then jazzmando V-Picks. I also use Dawg's, Primetones, Ultex's, Tortex's, and Fender heavies.
Why do I like the round ones? I don't know. I like the pointy ones too.
JBovier ELS; Epiphone MM-50 VN; Epiphone MM-40L; Gretsch New Yorker G9310; Washburn M1SDLB;
Fender Nashville Deluxe Telecaster; Squier Modified Vintage Cabronita Telecaster; Gretsch 5420T; Fender Tim Armstrong Hellcat: Washburn Banjo B9; Ibanez RB 5string; Ibanez RB 4 string bass
Pedalboard for ELS: Morley Cry baby Miniwah - Tuner - EHX Soul Food Overdrive - EHX Memory Toy analog Delay
Fender Blues Jr Tweed; Fender Greta;
Great selection of pick pics there, DavidKOS!
We could add metal picks, picks made from other things (coins, etc.), finger picks (which some have confessed to using on a mandolin), etc. I like the ones with cork on them for grip ... that's something anyone could do on their own too.
How about a nice platinum pick for £5,000? (Maybe this should be in the Traveling Pick Sampler thread)
http://www.timber-tones.com/treasure...trum-237-p.asp
That puts the BC into perspective. I wonder how many they sell? i wonder how many of the gold at 1500 or the silver at 100 they sell?
And, who uses fingerpicks? Any video?
JBovier ELS; Epiphone MM-50 VN; Epiphone MM-40L; Gretsch New Yorker G9310; Washburn M1SDLB;
Fender Nashville Deluxe Telecaster; Squier Modified Vintage Cabronita Telecaster; Gretsch 5420T; Fender Tim Armstrong Hellcat: Washburn Banjo B9; Ibanez RB 5string; Ibanez RB 4 string bass
Pedalboard for ELS: Morley Cry baby Miniwah - Tuner - EHX Soul Food Overdrive - EHX Memory Toy analog Delay
Fender Blues Jr Tweed; Fender Greta;
Thank you David, that's quite a handful. I had seen references to "Pettine" style but no examples of "Roman" thanks.
Timothy F. Lewis
"If brains was lard, that boy couldn't grease a very big skillet" J.D. Clampett
video of how to hold the Roman pick:
and another pick group:
The shop I worked in had every one of those picks in the last post!
Timothy F. Lewis
"If brains was lard, that boy couldn't grease a very big skillet" J.D. Clampett
I just acquired a custom made pick that has ends that are "Dawg-like". Too round for me, so I'm going to have it machined more "pointy" like a BC rounded with the bevel or perhaps even a little more of a point to the ends. Like Bratsche, I'm evolving from round to pointy...I'll get there one of these days David...LOL!....But yes, I can't use the Dawg/Golden Gate...too round...
1994 Gibson F5L - Weber signed
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Would it save you a lot of time if I just gave up and went mad now?
Well .... I have tried as many new shapes and materials as I have found emerge over the years. Metal , stone, wood, various plastics, polymers, round , rounded, pointy triangle . standard "guitar" pick shape are some of the picks I've tried out. I finally settled on the large rounded triangle shape and moved on to BC picks for their material. I have not tried a new pick in several years now ....... but the Primetone looks interesting...... R/
I love hanging out with mandolin nerds . . . . . Thanks peeps ...
I have a couple of Roman style picks made by Red Bear, of the same material as their other picks. I tried a bunch of ways of holding it, all of them awkward. I settled on something pretty close to what is shown in that video. I bend or curl my index finger a bit more.
I cannot sit that way however. My leg will fall asleep.
I have to approach the angle, pressure, etc... or the Red Bear is so screechy it is almost unbearable. It seems to be a matter of me not practicing enough with it to comfortable right out of the gate.
I use a footrest rather than the crossed leg method. I was also using a rubber mat for the back of the bowl, but I have become so accustomed to it I don't use anymore.I cannot sit that way however. My leg will fall asleep.
from the M-Cafe interview:
Question from AlanN: In an old publicity photo, you had a perfectly round pick stuck in the strings. Do you still use a round pick? And thanks for all the great tunes and playing!
Bobby Osborne: I just played with a pick until it wore off round and got another. That photo just so happened to be taken with a round pick I had used that day. Thank you for asking.
"Bobby Osborne: I just played with a pick until it wore off round and got another. That photo just so happened to be taken with a round pick I had used that day."
That's wonderful - a lot of those old master players, they sort of used what they had. If that picture was taken a few months sooner or later the pick would have been something different.
I don't mind them but for the most part I like a big thick triangle with sharp ends that won't slip or nudge away while I'm playing. Guitar picks are, generally, a tad too small, although they will work (if I remember to keep a good, solid tight grip on them.) I do use the Dawg, mostly while practicing. But it does seem more often as not the same grip problem will happen in a frenzy. So I like the big fat pointy triangles most.
"One day music will take its rightful place as the true religion of mankind"-Hazrat Inayat Khan
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Here's what Jimmy Gaudreau said at one time:
Pick: Perfectly round, approximately the size of a quarter and made of medium-firm plastic. It promotes more solid rhythm chop, quick tremolo and single string playing.
Don't know what he uses today.
I don't use picks with a sharp point (currently use a Dunlop Primetone 1.4mm Triangle ), but can't figure out my Dawg 2 pick. Tried playing with it a number of times, at various angles, but just can't get much sound out of my mandolin when I use it (???).
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