Somehow I've got it into my head to make a modern German style bowlback, but not having any actual instruments to hand, I've been drawing up plans based on pictures. This leaves me with quite a few questions which I was hoping some of you classical forum people might be able to help me with.
In the first place, it looks to me like the angle of the cant/bend in the soundboard is a lot less than it is in the Italian mandolins. This would mean a much reduced break-over angle at the bridge and therefore considerably less pressure on the soundboard.
If this is right, it seems that the soundboard should be built to be less stiff, which brings up a couple of questions. I can't see any noticeable transverse arch in the soundboard in pictures I have of Seiffert, Woll, Knorr, Brian Dean or other 'German' mandolins. Does anybody know how much, if any, curvature there is across the top in any instruments they have, have made, or have seen?
I'm also wondering about bracing. I have some photos of Seiffert's bracing, which doesn't look particularly light. It even seems to include three fan braces behind the bridge which aren't there in a Calace or Embergher etc. If anybody had insights on this, or any knowledge of other makers' bracing, I'd love to hear.
I'm sure I have more questions, but since this is possibly rather esoteric I'll see first if anybody bites...
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