Have a Washburn M1SLD. Needs a fret job but is lovely and an Epiphone mm40L which I think is a special instrument.
Have a Washburn M1SLD. Needs a fret job but is lovely and an Epiphone mm40L which I think is a special instrument.
I like my 1922 A4, (F4 minus some blocks of wood, & several thousand dollars) enough
since I got it that it is in a repair queue waiting for a refret.
writing about music
is like dancing,
about architecture
I've got two oval hole As. One is Lafferty LA-2 which has such modern appointments as the long neck, radiused board, and an elevated fretboard. The tone is still A-ish but edgy to a certain extent. My other is a Breedlove Premier 00. It too has the modern neck, radius, and elevated extension. The tone on this is sweeter softer, and has a delicate reverb quality. I use the Lafferty when I need more edge and cut, and the Breedlove when I am after sweetness.
I am awaiting a 1921 Gibson A. I haven't seen or heard it yet. I'll know tomorrow.
I just saw this Red Diamond A Oval on the Carter Vintage site. I am sure that is sounds wonderful. I assume it is a hybrid with a longer neck. Doesn't it look a bit odd with that soundhole so high on the top?
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
I agree Jim, that just looks wrong.
Charley
A bunch of stuff with four strings
This however looks just right.........
https://www.mandolincafe.com/ads/121420#121420
If I only had the coin.
NFI
Charley
A bunch of stuff with four strings
I had a Red Diamond A4 a few years ago - looks the same:
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Can't figure out how to display Dacraw54's Red Diamond for a side-by-side but the difference seems to be in the visual impact the Rosette makes. Soundholes appear to be in the same spots.
As an aside, I have 12-fret and 14-fret mandolins and it's interesting that the 2 frets do make a noticeable playing difference. I prefer the 12 and feel like I'm really reaching when I pick up my 14.
I have one of each. My F5 is a BRW blacktop. My F4 is a Pomeroy. While i really like the sound I get out of the F5, the Pomeroy has become my daily player. I just prefer the full, balanced tone I get with it. Perfect for what I call "kitchen picking' and singing". More people ask to play the F4 than the 5, go figure.
Hi Tobin. I feel the same. I've always thought that a Gibson F4 with that rope rosette adding to it is the best looking mandolin of all. 1917 to early 1918 when they first started sunburst as opposed to just shaded top like thr 1915 and 1916 ones and they still had Handel tuner buttons.
I have to say the F5 always 'does the job' when playing with other instruments but the F4 played at home is a joy.
I'm just thinking of having one made as the Gibson ones are now very expensive. I know someone who can do a beautiful. F4. I've had 7 Gibson F4s over the years but always sold them for various reasons.
regards
Jimmy
UK
For Bluegrass and double stops I still prefer an A5 or F5 but just sitting around the house playing old time, Celtic or anything with no double stops I prefer an oval ! I have a Girouard F4 on order to be born late 2019 ! My Girouard A oval is lonely !
It's just my theory but I think there might be some truth to it, so here it is...
There's an eccentricity in the roundness of the Florentine mandolins that is on the same axis as the neck. When you look at an F5 the F-holes reinforce that eccentricity or imbalance by flowing on a parallel axis. Whereas the oval-hole of most F4s counterbalances the existing eccentricity by orienting the hole's eccentric axis at a right angle, thereby increasing balance.
oh well, maybe I'll just stick to pickin'
Blessings
I only just started learning about oval holes due to a recent interest in classical music for the mando.
I bought an Eastman MD604 to start. And I have warmed to it, took a while to learn to play it properly for the sound it makes. At this point, I find I prefer it's darker sound to the F-hole, it has a lot more low end. But in a bluegrass jam it wouldn't cut through, so the F-Hole is for that.
FYI I played on a bunch of oval holes at Gryphon recently and the (owner?) gave me the talk (and let me play) MTO's and F4's. He said they are hybrids, with body shapes and neck/fingerboards closer to an F-hole, but an oval hole top. This gives them a sound somewhere in-between a traditional oval hole design (such as the Eastman), and a traditional F-hole.
They were beautiful instruments and you could hear that they were exactly what he said they were.
I for one was wanting something for classical music, so the darker more-sustained sound of a traditional oval-hole comes closer for me.
My next little experiment is with a flat-top oval-hole pancake (from Red Valley), which are supposed to have even more sustain (and less punch). Flat-tops are relatively inexpensive, so easier to play around there with custom builds too (nut width and neck).
Eventually there may be a bowlback (expensive) in my future, but I need to finish learning exactly what I like in an instrument first as it will likely be special ordered from somewhere in europe.
Davey Stuart tenor guitar (based on his 18" mandola design).
Eastman MD-604SB with Grover 309 tuners.
Eastwood 4 string electric mandostang, 2x Airline e-mandola (4-string) one strung as an e-OM.
DSP's: Helix HX Stomp, various Zooms.
Amps: THR-10, Sony XB-20.
The best money I ever spent in my life was a wedding ring for my wife. Second best was my F
Last edited by Jack Roberts; Dec-14-2018 at 4:48pm.
Ha, ha! keep time: how sour sweet music is,
When time is broke and no proportion kept!
--William Shakespeare
I love ovals but longer necks !
A4, Wood, 92 years old & A5. Carbon fiber not that old... Both got refretted in last 2 years ..
writing about music
is like dancing,
about architecture
I tried this Pava A4 out yesterday. Gorgeous sound and appearance, the pics don't do it justice. Someone please buy it before I dip into my kid's college fund. Different flavor than my A5, as you A4 afficiandos would expect, it has me reconsidering the need for just one mandolin. NFI
https://www.mandolincafe.com/ads/131954#131954
And speaking of gorgeous, also in the classifieds:
https://themusicemporium.com/mandoli...ney-amber.7268
I think I may have a problem.
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