The way i learned it ( according to 15 gem book )you stay on the one chord with the verse, and only go to the four chord in the chorus -but every time I play it at jams they want to go on to the four chord singing the verse. Who's right ?
The way i learned it ( according to 15 gem book )you stay on the one chord with the verse, and only go to the four chord in the chorus -but every time I play it at jams they want to go on to the four chord singing the verse. Who's right ?
keith madison
On Bill Monroe's "Bluegrass '87" they go to the 4 chord in the verses. But there might be an earlier recording that does it differently. BTW, on that cut, Jesse McReynolds sings lead and he and Bill play a twin mandolin break.
Great tune!In 1947 Bill did it in G, and the verses Lester sang had no IV chord. If it wasn't for Howard Watts' "A" note toward end of the verse, you wouldn't have much of a V chord to negotiate either.
-archie
So what's the consensus in most of your experience with the IV chord, keep it or throw it out. I'm tying to put a set together for future band possibilities.thanks
keith madison
Keep it.
If you are looking for that old-time mountain bluegrass sound, I would leave it out. That's the way Bill originally recorded it. Makes the song a little different than your generic jam tune.
An unplayed mandolin is a sad mandolin
Use it on every other verse, and not on the third chorus.
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