Re: Moving between Irish and bluegrass fiddle tunes
Main difference I've found is the lower level of improvisation in playing Celtic tunes. Bluegrass can encourage deviation from the strict melody, incorporation of "licks," variations etc. Celtic not so much; I'm sometimes a bit "outside" in Celtic sessions because the second time through a tune, I'll deviate from the melody a bit to add harmonies, counter-melodies etc. (Keep them deviates out of the Irish sessions!)
Much depends on how the existing group approaches the tunes. I love playing harmonies below the fiddle lead, especially on mandola or OM, but not everyone approves. From the stated repertoire, tunes that are widely played in a variety of styles and contexts, I'd guess they wouldn't be too strict about "sticking to the melody."
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
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