Re: Gibson EM150 - General Questions
As I'm sure you're aware, you're dealing with two different animals, between the Fylde with a clip-on mic, and the EM150 with its magnetic pickup. When an acoustic mandolin's top is extensively modified by installing a large magnetic pickup and the related controls, the acoustic character of the instrument is irrevocably changed. You're just not going to get the same response from a top that's been compromised to that extent. The EM150 is designed to be played electrically. Further, the signal sent to amp, PA, whatever, differs: one is generated by strings vibrating through the magnetic field of the pickup poles, the other by an acoustic diaphragm of some type within the mic being activated by the vibrations of the mandolin's wooden top, and generating an electric signal.
That being said, the EM150 was a good electric mandolin, and you surely should have the bass side sinkage investigated; it may be due to bracing failure, as rcc56 speculates, and may well be correctable. Your repairperson should be able to get good access to the "innards" once the pickup's taken off. On the other hand, some arch-top mandolins have their tops deform over the years from string pressure, with the bracing deforming as well. If the instrument's still playable, some slight flattening of the top arch is not a good thing, but not disastrous.
While I'm not an electric mandolin player myself, Cafe members have given some good reviews to the Eastwood Mandocaster,, so you might investigate it; it also uses magnetic pickups, like your EM150. You can also glean a lot of info from the Cafe's electric mandolin forum, where you'll find lots of discussion and suggestions.
If you decide to amplify your Fylde, you'll probably be talking about some form of piezoelectric pickup, which, again, differs from the magnetic pickups on the EM150. Magnetic-pickup mandolins are more like "little electric guitars" due to the use of mag pickups.
Oh, and I agree about the case; nothing special, the basic '60's chipboard low-end case, but worth keeping because it's "period," and might be good to include if you ever want to sell the EM150. Don't underestimate the value of the instrument; a quick Google search found a couple of '60's EM150's with asking prices of $2K. Yours has condition issues, but it's still got value on the used/vintage market.
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
Bookmarks