Re: Describe your MAS progression
search the forum for, "My Collections Complete." You can can read all about it! Here are the cliff notes:
‘50s Kay
Aria PM-780 (marked “hand made,” f-style)
Gibson A-3
Alvarez A-100 (12-fret, a-model, f-holes, wood binding)
Framus Guitar-shape
Joe Hayes Unique with f-holes (folk art)
Ibanez A-5 (15-fret, snakehead)
Kingston Electric (hollow body)
'84 Flatiron 1N
Montana A Oval (Romanian-made)
Kentucky A-180 f-hole (MIJ)
Kentucky A-160S (MIJ)
Vega VM-10 (MIJ, laminate)
Ibanez A-model
Framus A-model
Flatiron A5-1 (Carlson)
Hondo A oval hole
Alvarez A-400 (Martin cant-top clone)
Fender FM-61SE
gibson “opryland” (tourist souvenir)
Aria M-300 (2-point)
Yasuma YM-130 (solid wood, MIJ)
Kentucky KM-180B
Aria Pro II A-style (very disappointing, laminate)
Alvarez 2-point
'30s Kalamazoo KM-11
Ibanez A-style (interesting distressed finish)
Ibanez D-hole
Kentucky KM-250S (MIJ)
Aria M-180
Stiver A5 (great!)
Washburn M-2
Muth F-5
Breedlove KO
A5 IV kit (donated away)
Cohen A5 (redwood/walnut)
Muth A5
’24 Gibson A2Z
Phoenix Bluegrass
Ellis A5 Deluxe
'25 Gibson A (or A1)
Eastman MDO-305
'83 Flatiron 1N
f-d
ˇpapá gordo ain’t no madre flaca!
'20 A3, '30 L-1, '97 914, 2012 Cohen A5, 2012 Muth A5, '14 OM28A
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