Originally Posted by
NursingDaBlues
We have a 1971 Martin 5-35. Yes, I know. People don’t believe that there was ever a 5-35 produced by Martin. But they made at least one. We’ve even got the original factory hang tag; Martin listed the price at $300. EIR back and sides; three-piece back; Sitka top. My wife and I came across it a few years back and were struck with its voice. In my opinion, the 5-18 is much crisper sounding and therefore a much better selection for the majority of Size 5 playing. But if Travis-picked just right, this 5-35 has a beautiful voice. (Scroll down to see photos).
I may be providing information that the OP and others already know, but for those who are not aware of the idiosyncrasies of a Size 5 guitar, the tuning and the strings are the key to encouraging these guitars to really stand out. Here is a letter from Dick Boak of C. F. Martin & Company that was sent to many who purchased one of the re-issues:
Dear Martin Enthusiasts,
The fact that you are reading this letter means you are probably one of a select group to have in your possession one of the Size 5 “Mini-Martin” guitars. These little instruments are very close to my heart and I am proud to have played a part in reviving them for this special Martin edition. As many of you know, Size 5 Martin models came to be known as “terz” guitars because the instrument was invariably tuned to a minor third (3 half notes) above standard guitar tuning or G, C, F, Bb, d, g.
The Mini-Martin is equipped from the factory with Martin MSP-4050 Custom Light “SP” Phosphor Bronze strings. I recommend that you first tune your Mini-Martin to standard pitch (E, A, D, G, b, e). You’ll see that the strings are not stretched quite tight enough. Play the bass “G” note at the third fret, then tune the low “E” string up to that note. Accordingly, tune all of the remaining strings up three half steps to achieve the terz tuning: G, C, F, Bb, d, g. Now the strings will feel more correctly tensioned.
I personally prefer to string my personal Size 5 instrument with a customized “high string” or “Nashville tuning” set. This is similar to using the high strings only from a 12-string set. The first four (bass) strings are thus an octave higher while the two treble strings remain unchanged. I first saw such as string set when I visited Paul Simon. I was so impressed, I came back and experimented with a variety of gauges. My clear preference is:
Standard Pitch Gauge Terz Tuning Bb Tuning
E .025” wound G (one octave higher) F
A .017” plain C (one octave higher) Bb
D .013” plain F (one octave higher) F
G .008” plain Bb (one octave higher) Bb
B .012” plain d d
e .010” plain g f
I have enclosed a customized set of these “high” strings. They have an extremely sweet, almost “piano-like” tone. I encourage you to experiment with both standard and alternate tunings using these strings. For example, tuning the two G strings down a full step to F and the C string down to a Bb, yields an open Bb tuning. These string sets are not yet available in stores, so if you fall in love with this tuning, you might want to pick up individual string gauges to make up your own sets. I hope you enjoy the Mini-Martin as much as I do!
Sincerely,
dick boak
C. F. Martin & Co., Inc.
Bookmarks