Re: Owen Hartford, "Family Squabble": PMO
Lively and interesting piece and performance. I had suggested this Hartford selection for our local group, we'll see what happens. But I am especially intrigued by the use of wind and other instruments with the mandolin orchestra. Having conducted small orchestras with bowed string instruments and wind combinations, I wonder if such more such collaboration would expand the public awareness of MO's, not to mention the fun for the players. I know there are a number of fine compositions that include wind instruments with plucked strings, I am just saying let's do more, and let's look at some Bach orchestrals and lighter-scored Mozart symphonies--the "little g minor" would work well, I think with a fine oboe part.
Regarding the great acoustics, I just attended a concert where the guitar and vocals were over-mic'ed with a tinny brassy PA tone, drowning out the other fine instrumentalists. For their encore, the leader said "This place has great natural acoustics--let's turn of the mics." Finally I heard the balanced, rich sound I had expected of this group. I realize there are situations and venues where amplification might be needed, but I dislike the popular trend of mic-ing everything all the time. You provided a clear example of excellent un-amped sound.
And as always, Bob, thanks for posting another fine recording--See you in Kalamazoo!
jim
Jim
Dr James S Imhoff
Boston University
Oregon Mandolin Orchestra
1912 Gibson K4 Mandocello; Thomann Mandocello; Stiver F5; American? Bowlback; Martin 00016; Dusepo Cittern/liuto cantabile
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