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Thread: Bach: Laudamus te, No.6, BWV 232

  1. #1
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    Default Bach: Laudamus te, No.6, BWV 232

    This is my arrangement of Laudamus te, No.6 from the Mass in B minor (Messe in h-Moll) BWV 232 by J.S. Bach. This is the violin solo that introduces the aria.

    https://youtu.be/ePaxozv8GWM


    and here are pieces from the same project:
    No. 2 Christe eleison: https://youtu.be/b1fQXk8xqHQ
    No. 4 Gloria in excelsis: https://youtu.be/cVk1we5Ufz8
    No. 22 Benedictus: https://youtu.be/PWnTWxik_w8

    Toomas Rannu
    Flat-backed mandolin, crafted by Viljar Kuusk in 2008 (Tallinn, Estonia)

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  3. #2
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    Default Re: Bach: Laudamus te, No.6, BWV 232

    Toomas, I noticed on Bus und Rue it looked like you were finger-picking along with the plectrum. I am guessing that is how you got some of the counterpoint or at least bass line in some of the selections, right?
    Jim

    Dr James S Imhoff
    Boston University
    Oregon Mandolin Orchestra

    1912 Gibson K4 Mandocello; Thomann Mandocello; Stiver F5; American? Bowlback; Martin 00016; Dusepo Cittern/liuto cantabile

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  5. #3
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    Default Re: Bach: Laudamus te, No.6, BWV 232

    Quote Originally Posted by Jim Imhoff View Post
    Toomas, I noticed on Bus und Rue it looked like you were finger-picking along with the plectrum. I am guessing that is how you got some of the counterpoint or at least bass line in some of the selections, right?
    Thanks, Jim! I'm glad you found this arrangement from the Matthew Passion (BWV244), it's my latest, I haven't got around to posting it here yet, but I will soon.
    Yes, I use my fingers in addition to the plectrum in those places where it is necessary to play two or more notes at the same time. In some selections of Buß und Reu, i'ts possible to play three voice textures in this way.

    Toomas

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