Why is it that Guy Hart who developed the Gibson instrument line (with Mr Loar as the artistic aid) is not better known? We don't speak of that special "Hart tone" but should we? Was his influence only secondary? From my memories, we might thank Mr. Hart for the florentine scroll that many of us like. The only big information seems to be from Roger Siminoff. Any info on this lesser known man who went on to develop other mandolins? Thanks, Doug
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