Ehm... by "nice" price, do you mean for the buyer OR for the seller?
But, of course, it IS surely a nice instrument!
*sounds of digging in pockets, jingling change, loose coinage*
Ehm... by "nice" price, do you mean for the buyer OR for the seller?
But, of course, it IS surely a nice instrument!
*sounds of digging in pockets, jingling change, loose coinage*
It is not man that lives but his work. (Ioannis Kapodistrias)
Hi Vic... well I guess I mean nice price for the seller although I would imagine that some of the (rich)Vinaccia fanatics might think it's nice price.. or perhaps one of our Taiwanese inlay artists might decide to enhance the inlay work..AAARGH!
Best wishes
Ian
NOOOOoooooooooooo!!!!!!!Originally Posted by
It is not man that lives but his work. (Ioannis Kapodistrias)
Brilliantly put Victor!
:-)
Eric
ps - That's one of the most violinistic scrolls I think I've seen on a mando-thingy. I'm usually put off by such things (as I prefer the violinistic variety) but that one is very nicely turned.
"The effect is pretty at first... It is disquieting to find that there are nineteen people in England who can play the mandolin; and I sincerely hope the number may not increase."
- George Bernard Shaw, Times of London, December 12, 1893
Here is a link to that mandola. Just wondering what the scale length of this one is. Is it mandoliola or an octave mandola?
The violin scroll is esp interesting. I have never seen one on a Vinaccia before. Could easily be inspiration for Lyon & Healy.
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Jim,
Was it L+H responsible for the scroll heads often seen with the Brandt label? Did they show up with any other US makers/brands?
Not that I have 5000L around but that is a pretty great looking instrument. On its way to Japan as the bidding stands right now.
I'll let Brian and Dave struggle with duplicating the bowlback. I think I'm going to build one of those cool wooden (coffin) cases this weekend. The latches, locks, hinges, handle-all are great.
Mick
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
I'm pretty certain those on Brandt were independent of the L&H. Every Brandt I've seen except one dated 1898 sported either a nice scroll, or a tragic and ugly partial scroll (Brandt just couldn't pull that off like Embergher), back to the very early 1900s and certainly predating L&H's use. There is some speculation of a L&H/Brandt connection, but I haven't seen that substantiated, and Brandts seem to me to have a significantly different "feel." Of course, full scrolls on mandolins date to some of the earliest mandolini, at least into the 1700s.
Here's a side view of a Brandt scroll dated from 1899, I believe.
(Well that attachment didn't work, so here's a few links):
[img=http://img16.imagevenue.com/loc557....lo.jpg]
[img=http://img22.imagevenue.com/loc498....lo.jpg]
[img=http://img18.imagevenue.com/loc452....lo.jpg]
[img=http://img23.imagevenue.com/loc590....lo.jpg]
The carving doesn't appear too hideous, but I've never appreciated the big metal tuner plate on the front in this design. Still I'd like to try one out.
Any picures, then, of an L+H version?
Mick
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
No, I think Brandt's full scrolls were quite nice. It's their Embergher-like (but only barely) partial scrolls that were piggishly offensive. L&H images abound. They were considerably thicker and less violin-like, but perhaps more appropriate for carrying geared tuning machines. Check out Bob D's L&H page to start.
That Vinaccia mandola is very nice indeed! Let's see whether there is another Japanese bidder competing with the current one. It's missing its sleeve protector, of course. I'm not too sure about the tailpiece, either: it's nicely decorated, but an 1890s Vinaccia should have ivory tailpiece pins rather than a metal tailpiece, I would think. A later replacement, maybe, along with that strap button.
Martin
Not a bowlback but relevant:
PJ Bone Book
[Oops, I must have lopped off the h from http -- thanks, Neil]
Yes, I have that 1972 edition also bought a few years ago.
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Here is a better link to the Bone book. That looks just like mine, with the same red cover. I thought the $35 price was pretty outrageous when I bought it 30 years ago...
Neil (or anybody else with a copy of Bone),
I see from the index page in the Ebay listing that there is a photo of Leopoldo Francia in the book. Is that the same photo that is in the Sparks book? I'm looking for a better view of his Ceccherini -- in the Sparks photo, you can sort of make out that it has the typical Ceccherini pickguard, but the quality is too poor to see any details.
Strange, too, that the seller in the UK but he has listed the book in on Ebay US, with a price in US dollars. I guess, he reckons there's a better market there.
Martin
I'll check when I get home.
Martin:Originally Posted by (martinjonas @ Oct. 17 2006, 11:38)
The photo in the Bone book is not the same (see at left) -- just a head shot. Sparks cites the one with the mandolin as coming from Banjo World Oct 1896 and I would assume that it was a magazine. He says it is courtesy of the British Library.
So you would prob need the original photo not the reproduced, halftoned one.
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
You think the opening price was nice?... check out the final! Over $16K U.S.Originally Posted by
The times, they are a-changin....
Eric
"The effect is pretty at first... It is disquieting to find that there are nineteen people in England who can play the mandolin; and I sincerely hope the number may not increase."
- George Bernard Shaw, Times of London, December 12, 1893
That is rather a lot. Nice mandola, of course. I can't quite remember, but I'm fairly sure that this is the same seller who I bought my Ceccherini from. That one was a similarly pristine instrument as the Vinaccia (of course not remotely in its league money-wise). I see he now has another very nice-looking de Meglio for sale here. This one is a 1893 Model 2 and it is much more decorated than the usually seen Models B, A and 1A (all of which look virtually identical). Apart from the decorations, the basic mandolin appears to be much the same, though. Fine condition, it appears, except that it had some of those tortoiseshell-eating beetles in: it's been eaten away around the inlay on the binding and tailpiece cover.
Martin
I almost had a heart attack. I was checking an acoustic guitar newsgroup and someone posted that they had a mandolin and wanted it id'ed. Someone else said, oh that is an Embergher. Then the owner replied, oh it is a moot point. I just sold it for $50.
Upon further examination I checked the linked photo and it turns out it is a Suzuki, no italian instrument.
Hah!
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Tony Bingham has a lovely looking understated 1923 Flli. Vinaccia. Check it out here.
Also this unlabelled piccolo mandolin. He says Calace style and I suppose it is, tho it does have a scratchplate that resembles the Embergher scroll.
Any UKers make it over to his shop to check it out? I was there way back in 1977 but wasn't interested in bowlbacks back then.
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
The Bingham Vinaccia is interesting in that it is a very late example. I don't know when the Last Vinaccia hit the streets (does anyone? Strikes me as of some interest) but this one must be a contender. Purfling, f'board inlays and pickguard all strike me as atypical of the Vinnies I've seen, not that there have been that many; and the lack of cutout on the peghead also jars a bit. I like the extended board. Price seems high, but then I'm not in the market, thankfully.
I haven't seen a bowlback tone-guard before! This is on an instrument on Bingham's site:
The latest ones I have in my files are a 1928 one that looks very much like a Calace in style and structure and a Roman style one that dates from 1929.Originally Posted by (Bob A @ Oct. 24 2006, 20:44)
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Quote (Bob A @ Oct. 24 2006, 20:44)
I don't know when the Last Vinaccia hit the streets (does anyone?
A member of my orchestra plays a Vinaccia with a date of 1930. The latest I have ever seen.
Jonathan R.
"Music is my mistress and she plays second fiddle to no one." Duke Ellington
Jonathan, if you could post a pic of the 1930 Vinaccia for the historical record, I'm sure many of us would be interested.
SO nice to hear from you again, Linda! I was, in fact, concerned that you might be (in some way or other) not well, and was planning to drop you an "R U OK?" e-note. I am glad to be assured otherwise.Originally Posted by
As for the tone-guard, there was once a gentleman in Norway building such —and, of course, respectively enormous— contraptions for BASSES. Needless to say, I, ehm... didn't quite buy one. #
It is not man that lives but his work. (Ioannis Kapodistrias)
Bookmarks