Getting back to dfxlr's new mandolin: congrats, it is very attractive. I'm also keen to hear how the restoration goes. I am almost absolutely certain it's not a Larson brothers piece but by Lyon & Healy. Note the ribs: it looks as though there are maybe four divisions (inlaid faux spacers) per actual rib to give the impression of a higher rib count. This was a common ploy of L&H on their nicer mid-range lines, like American Conservatory. The soundboard with the very long post-cant face is classic L&H. If original, the squared off bridge also is consistent with L&H. The headstock profile is identical to L&H's American Conservatory line and the engraved position markers smack strongly of L&H to boot.
The fluted no-name you've posted, Martin, looks a whole lot like some Fratelli Vinaccia. Check out this Vinaccia sold in Gruhn's distant past and featured in some of his texts. Of course, knocking off Vinaccia shops was pretty common for mandolin builders at the time this was built. The fingerboard and soundhole profile does look somehow coarser than I'd expect of a real Vinaccia shop, but the engraving looks very nice.
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