Aliparla, Having myself just acquired a Pecoraro Embergher, I, too, am on the lookout for a good case. I'll be interested to hear what you have to say about the cases you look at. Thanks. -- Joe
Aliparla, Having myself just acquired a Pecoraro Embergher, I, too, am on the lookout for a good case. I'll be interested to hear what you have to say about the cases you look at. Thanks. -- Joe
a million+ views. Wow!
Hi Joe, congratulations on your Pecoraro! Post some pictures if you can!
I'm moving house at this moment, so I will have to wait some weeks until I have a final address to made the order. I'm gravitating towards the Dogal, but is easier for me as I'm located in Europe.
aliparia, per your request, here are photos of the 1980 Pecoraro I just acquired. Both the sound and the playability put this instrument in a whole other class than what I am accustomed to playing. What magic is this? Why don't other bowlbacks sound as though you're performing in a cathedral? -- Joe
Wonderful instrument, Joe, congratulations!
This early fluted Calace bowlback (up for live auction today) looks very nice but may have some structural issues (top may have some sinkage and bridge is positioned in the wrong location to provide lower action). The Nicola e Raffaele Calace label has the name blocked off with what looks like black marker. And there is a Samuel Adelstein label pasted over that Calace label. Adelstein was an active teacher and performer in San Francisco around the beginning of the 20th century probably imported this Italian mandolin. He usually played Vinaccias but obviously liked Calace ones as well.
--------
It sold a little while ago for $900 plus buyer's premium or $225 = $1125. I think a fair dealer/retail price in perfect condition would be $1500-2000USD. So, no real bargain here especially if it needs some significant work. Still it could be a nice player.
Last edited by Jim Garber; Sep-16-2020 at 11:50am.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Greetings, all.
This truly goes under "asking for a friend". I have neither direct acquaintance with the owner of these instruments nor any business interest in them. My only understanding is that the owner is an elderly lady who has cherished these instruments for decades but doesn't know exactly what they are, what they are worth, who the next owner may be after her passing and all that. She lives abroad so she doesn't even know whether the materials render them non-exportable.
My most rudimentary question is, what are they? I'm a very, ah... street-level mandolinist so anything beyond the modern, Neapolitan mandolin is fine print to me, indiscernible.
Cheers,
Victor
It is not man that lives but his work. (Ioannis Kapodistrias)
That is a tough one, Victor. At first I thought they were tamburitza instruments or possibly Turkish, like sazes, but 8 strings? I can't tell from the tiny photos whether they even have frets. Can you get large photos and more details. I am not even sure if they are ribbed or flatback.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Strange beasts indeed, Jim. They do seem to have a few frets but, as you say, it's hard to tell whether they are fixed frets— making them "Western" instruments for lack of a better word— or movable ones, making them more Middle-Eastern. But then again all sorts of lute-like instruments in Europe had movable, "temperable" frets so the beat goes on, as does the confusion.
I will ask for bigger pictures and, most importantly, pictures of the backside of these mysterious beauties. Let's see what this inquiry yields. They now live in the Caribbean, owned by a 90-year-old who inherited them from her grandmother. So far, the only thing we know is that they are certainly old. But that means very little in discerning what they are. They don't seem to have the proportions of any saz I have ever seen but... was there ever a short-ish colascione?
It is not man that lives but his work. (Ioannis Kapodistrias)
Victor: I find this site, Atlas of Plucked Instruments, pretty useful but it takes a bit of surfing through lots of pages and much guesswork.
It is even hard to tell how large or small these are. Get as much info as possible. Any markings or labels other than inside the case lid. It does say Napoli but maybe just sold in that shop. I don't have any jpeg files from DiGiorgio.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
These look like a very interesting find Victor.
I think the elongated peg box for friction pegs may throw people off a bit, but the business end of the instruments is shouting 'mandolin'
For me the interesting things are the string anchoring at the heel along with 8 strings and a floating bridge.
The peg boxes and ornamentation are very reminiscent of some of the instruments housed at the V&A museum (pics earlier in this thread) but those have the fixed bridge lute-type construction.
These could represent a but of a missing link in the transition to the mandolin type structure (or just be someone's later special commission for romantic reasons)
One thing is for sure, they were built for someone with money & not to a price.... might be time to search oil paintings for similar examples.
I suspect this one could run a while Victor
Eoin
"Forget that anyone is listening to you and always listen to yourself" - Fryderyk Chopin
Thank you, both. I have asked my conduit to get us more info, mostly images; we cannot expect much verbal explanation from someone who admits to knowing nothing to begin with. Let's see what comes back to us...
It is not man that lives but his work. (Ioannis Kapodistrias)
Does it appear that they have two sets of tuners? (Red Arrows) One midway along the neck and then another further on up?
And frets in between? (Blue arrows)
Mick
Ever tried, ever failed? No matter. Try again, fail again. Fail better.--Samuel Beckett
______________________
'05 Cuisinart Toaster
'93 Chuck Taylor lowtops
'12 Stetson Open Road
'06 Bialetti expresso maker
'14 Irish Linen Ramon Puig
I certainly hope better quality images can be had.
Last edited by Beanzy; Sep-21-2020 at 8:49am.
Eoin
"Forget that anyone is listening to you and always listen to yourself" - Fryderyk Chopin
I'm beginning to suspect a bit of Franciolini-esque hodgepodgery.
Apparently these creatures fall under the mandolino da weirdo subcategory in the taxonomy of plucked instruments.
For the sake of full disclosure, I heard of these through an equally weird chain-reaction: my wife's oldest brother is married to a very fine lady, who is thus my wife's sister-in-law. She has a sister, who in turn knows the elderly granddaughter of the original owner, now long deceased. So the only hard fact here is that these instruments have been around for a good while. If the granddaughter of the original owner is now in her 90s, these instruments were probably acquired by her grandmother a long, long time ago. I am told that the late madam Such-and-Such actually played these.
The first question would be whether these are "period" instruments or simply fancy (and fanciful) replicas of something or other. I am not the seller and a natural skeptic. My first guess is that these were made by someone who didn't quite know what he was building. Sure, plenty of MOP and tortoiseshell there but... what on earth are those things?
It is not man that lives but his work. (Ioannis Kapodistrias)
So, could the upper tuners be for sympathetic strings, as in a viola d'amore?
Eoin
"Forget that anyone is listening to you and always listen to yourself" - Fryderyk Chopin
I've been having a rummage based on my initial hunch of a mandolin based theorbino and it looks very close to what you would expect.
These are lute based examples.
An interesting aspect of the sympathetic strings on this instrument is the middle nut looks like it has slots cut out to allow the sympathetic strings to pass.
These lute based ones have a canted neck to allow them all to pass above the other courses (and be plucked at will) these, if the shadows I see are actually slots, would only be sympathetic octave strings; so a different principle to the theorbino. A very unique find & I hope we get better images to look at soon to see where the strings actually pass the middle nut.
Eoin
"Forget that anyone is listening to you and always listen to yourself" - Fryderyk Chopin
Isn't it a version of what's called a "baroque mandolin"?
Bookmarks