Anyone have a Tab for this piece???
-Soupy1957
Anyone have a Tab for this piece???
-Soupy1957
Breedlove Crossover FF SB
“The weather was so bad even my iPhone was shaking!”
-SDC
I don't have the tab, but I have a copy of the standard notation if that would help... PM me and I'll send it your way.
Play, play, play!
Jacob Hawkins
I can read "standard notation, but I am not able to apply it to mandolin without great difficulty, (yet another thing I need to learn for my own good).
Let me ask this then: the performance of it that I heard, was done by two mandolins. In proper form, is it meant to be a duet??
-Soupy1957
P.S.: Worse case, I can take my recording of it, (found on YouTube), save it, and play it through Transcribe, to learn it.
Breedlove Crossover FF SB
“The weather was so bad even my iPhone was shaking!”
-SDC
Soupy,
Use the notation and the recording in tandem to teach yourself the notation. Might as well learn it. It will save you lots of work-arounds in the future.
Ear learning is very good as well but you might as well have all the weapons at your disposal.
Jim
Jim
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I'm guessing you might be referencing different concerti. Those by Vivaldi involving "mandolin" are in C for mandolino, strings, and basso continuo (RV 425); in G for two mandolini, strings, and basso continuo (RV 532); and in C for two recorders, two violins "in tromba marina", two mandolini, two theorbos, two salmoe (proto-oboe), violoncello, strings, and basso continuo (RV 558).
jgarber: You're right, of course.
Eugene: I mean THIS piece:
http://www.youtube.com/watch?v=AhOOhIale6M
-Soupy1957
Breedlove Crossover FF SB
“The weather was so bad even my iPhone was shaking!”
-SDC
That is the Concerto in C for mandolino, strings, and basso continuo (RV 425), arranged for 2 mandolins. If you already read music some, this would be a good piece to improve your reading, since it is in C and has very regular rhythms. Or, you can do what I did as a college student and learn the whole concerto by ear. I wrote down the mandolin part, and after I bought the music I found I had only done one thing wrong: I had written rests during all of the tutti sections, because I couldn't hear the mandolin over the string players!
Ok, here's where I have another wonderful opportunity to show my ignorance yet again.....
What's a "Tutti section????"
-Soupy1957
Breedlove Crossover FF SB
“The weather was so bad even my iPhone was shaking!”
-SDC
Soupy1957, think of Mozart: Coś fan tutte le belle....
The tutti refers to an ensemble section of a piece of music: A passage or section for full orchestra in a concerto or aria. The classical wonks here can probably flesh this out (or correct it.)
Of course WAM had something else altogether in mind.
Mick
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I also have just discovered these concertos by Vivaldi, He Rocks!
Where could I find a good arrangement for these?
Kevin Vail
Ahhh, Soupy, the one I have is a double mandolin concerto. It's official title is: Concerto in Sol Maggiore: per 2 Mandolini, Archi e Organo. It is in G major... And Brunello, you are correct about the tutti parts, everyone in the orchestra plays during the tutti.
Play, play, play!
Jacob Hawkins
Have you guys seen (or heard) Simon Mayor ? On his "The Second Mandolin Album" he has a few songs (movenents) of something called Concerto For 2 Mandolins, awesome stuff. Check out his website or just google him...great stuff.
do good things
Simon is a topic of frequent discussion.
mandozine.com has tabledit files for Vivaldi:
Mandolin Concerto in C Major - Allegro 1
Mandolin Concerto in C Major - Allegro 2
Mandolin Concerto in C Major - Largo
Winter 2 Largo
Be aware that they are marked "professional" and while said to be transcribed for mandolin, the mandolin portion almost fully played on the E string.
Thanks jk245.....for answering my origional question...
-Soupy1957
Breedlove Crossover FF SB
“The weather was so bad even my iPhone was shaking!”
-SDC
I've never done Tabledit. #Assuming those are the three movements of the mandolin concerto in C, RV 425, and not a transcription of some other concerto, it really doesn't make any sense that the solo line would be almost fully played on the e" string. #It ranges from c' to c''', and anything below e" can't be played on the e" string, of course. #When I play this, I spend a whole lot of time on the d' and a' courses too.
I'm guessing their files are placed in alphabetical order. #However, the concerto's movements in performance should be [Allegro], Largo, [Allegro] (I don't believe the outer movements have title and allegro is assumed). #Vivaldi's server didn't force his files into alphabetical order.
As far as the "professional" classical literature is concerned, the Vivaldi concerto isn't too bad. #I would encourage any intermediate players to practice it and perhaps use it to help polish their reading. #On a 4th-tuned mandolin as it was written ([g]-b-e'-a'-d"-g"), it almost becomes downright easy.
Actually, if you open the files using Tabledit you will see that you can select various instruments on the MIDI options.Originally Posted by (Eugene @ Feb. 13 2007, 06:38)
When the mando portion is played by itself it is nothing like the whole piece.
I have no experience playing these pieces since the Tabledit file is beyond my ability. However, I still like to HEAR the MIDI's even thought they are nowhere like real players.
Yes, the list is alphabetical. I am not sure if I am up to the challenge (yet) to tackle these pieces
The kid in that Video is my son Scott Gates. He has been takingt lessoons with Evan since he was 7 and he turned 14 just a little while ago. Love your Evan quote, it is one of my favorites...
Check out Evan's site at solomandolin.com and Scottgates.com for more vidoes and pics....
Andrew Gates
Mr. Gates,
14!!!! Wholy Cow! That's incredible. I have checked out his web site after I saw him on You Tube and did a little research. He looks and plays a lot older, you must be very proud of him.
I just started playing the mandolin and only hope I can be half as good as your son someday.
Matt
I just came across that video last weekend. Very cool.Originally Posted by (andrew gates @ Feb. 13 2007, 18:29)
The kid is GOOD!
In fact, after watching it I got out the music for that piece and started working through it on mandola. Soupy, this would be a good piece to work on from standard notation to improve your reading skills. It's not difficult reading, and isn't terribly difficult to play, especially if you already know what it's supposed to sound like, and if you take it easy and don't try to play at warp speed. It's one of those pieces that sounds a lot harder than it is, kind of like Chicken Reel.
Yuletide Bob
You can get nice scores of the mandolin concertos through www.sheetmusicplus.com, not too expensive. I have arrangements that I got from a member here that I'd be happy to share, but some are for guitar quartet only, so I had to reconstruct them. I've done my own arrangments, for tenor uke and guitar, but since I'm going to record them #idecided I needed to at least look at the original scores, to keep it honest.
I'm playing the Vivaldi Concerto for 2 mandolins on Saturday... for a wedding gig! They specifically requested this piece and hired 2 mandolins (David Evans and I) and a string quartet to play it. I wish all couples had such good taste, I'd certainly work a lot more!
I did an arrangement of the first movement of the C-major concerto, RV 425, for mandolin and (brace yourselves) flute that I push as a recessional when I must play wedding gigs. We actually once received a standing ovation from the guests and a 100% tip (that's right, we were paid exactly double what we'd asked) at a wedding where I'd rolled that one out!
There's a lovely new recording of both mandolin concertos plus lute concertos and lute trios by Vivaldi. Its recorded on period instruments and baroque (gut strung) mando by a Swiss guy called Rolf Lislevand. Its musically brilliant and a really intersting take on our favourites. Slow movement of double is way too fast though in my opinion. Its on the Naive label with Ensemble Kapsberger. Its definitely the best period (with baroque mandolin as well) rendition I've heard. Its got a lot of spirit and originality and ornamentation. Not keen on his (almost non-existent) trills though!
"On a 4th-tuned mandolin as it was written ([g]-b-e'-a'-d"-g"), it almost becomes downright easy."
I wonder if anyone has tried this tuning on one of those
Gibson octave guitars(tuned up) M-6, I think they were called. They only made then recently for a couple of years.
Bill Foley
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