I've never hear of anything like this before but I'm hardly an expert. NFI - just curious of this is a one of a kind.
http://www.mckenzierivermusic.com/01215.html
I've never hear of anything like this before but I'm hardly an expert. NFI - just curious of this is a one of a kind.
http://www.mckenzierivermusic.com/01215.html
You can't see your future in a rear view mirror.
Very odd. Looks totally factory. I guess theoretically it could be tuned in mandocello steps
Darryl G. Wolfe, The F5 Journal
www.f5journal.com
Possibly factory but that fretboard end looks like a mandocello -- I don't think that guitars of the period had that florida extension. Could just be a one-off custom
Jim
Jim
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19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Never seen a trapeze tailpiece with a pin bridge -- did Gibson use anything like that on its carved-top guitars?
Allen Hopkins
Gibsn: '54 F5 3pt F2 A-N Custm K1 m'cello
Natl Triolian Dobro mando
Victoria b-back Merrill alumnm b-back
H-O mandolinetto
Stradolin Vega banjolin
Sobell'dola Washburn b-back'dola
Eastmn: 615'dola 805 m'cello
Flatiron 3K OM
Allen..yes. #There were two kinds. #One like this where the rods are bent and embedded in sandwiched plastic and another where the plastic is solid and the rods go thru to the top and have acorn nuts. #I have made two replacements for these parts and they are a terror to shape and drill correctly. The plastic was replaced later by a bar piece of metal that the rods reverse hooked into.
Darryl G. Wolfe, The F5 Journal
www.f5journal.com
I always thought that tailpiece was the craziest idea anyone ever had. Just nuts. Yet somehow intriguing...
Does anyone have the serial/stamp number for that 6-string cello? Typically a sign of a custom-order original is an "A" at the end of the FON stamp
I think you'll have to buy it to find out!
I just received an email from the shop owner.... no "A" after the serial# or FON#. Still, gibson is not known for their consistency with anything....other than, well I'll keep my mouth shut right now......
I'd rather have a bottle in front of me than a frontal lobotomy.
Lowell Levinger has/had a white faced one that had been a six string at one point and was converted/re-converted to eight strings. It's a very nice re-fin job, and who knows how many strings it's had at various times. Six and eight is a good guess, or was that eight, six, and eight?
I had a 1916 blacktop K-1 that was a factory 6 string.
I'll be in Eugene this weekend, I'll try to check it out.
In the interest of truth, justice, and the mandocafe of course...
Kirk
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