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Thread: Show your cboms!

  1. #76
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    Quote Originally Posted by (bertramH @ Feb. 14 2008, 09:40)
    Quote Originally Posted by (zoukie @ Feb. 14 2008, 09:49)
    That's a true beauty!!!!!!!!!! Mine is quite ugly looking but at least I'm happy about the sound....
    you forgot to mention the celtic knots on the headstock
    love them!!!!!

  2. #77
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    I figured I'd come out of lurk mode to post some pictures of an octave mandolin that Bill Petersen is building for me. I should have it sometime in the next few months.

    Some particulars:

    Red spruce top with herringbone binding
    Insane koa back and sides
    Spalted maple soundhole rosette and peghead overlay
    Custom dragon inlay on the fingerboard








  3. #78
    Registered User steve V. johnson's Avatar
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    Wow! I love spalted woods, and Bill P is sooo good at doing those wood rosettes! Nice!!

    Thanks!

    stv
    steve V. johnson

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  4. #79
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    Here's mine.
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  5. #80
    Registered User otterly2k's Avatar
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    Here's the close-up of the inlay on that Dean, as Stv requested...
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    Karen Escovitz
    ~~~~~~~~~~~~~~
    Otter OM #1
    Brian Dean OM #32
    Old Wave Mandola #372
    Phoenix Neoclassical #256
    ~~~~~~~~~~~~~~~~~~~
    If you're gonna walk on thin ice, you might as well dance!

  6. #81
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    Here's the one I call Otter OM #1 b/c I made it... in a workshop with Don Kawalek... who also likes spalted maple.
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    Karen Escovitz
    ~~~~~~~~~~~~~~
    Otter OM #1
    Brian Dean OM #32
    Old Wave Mandola #372
    Phoenix Neoclassical #256
    ~~~~~~~~~~~~~~~~~~~
    If you're gonna walk on thin ice, you might as well dance!

  7. #82
    Registered User otterly2k's Avatar
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    and the inlay I put on the headstock of that one (which you can't see in the previous photo)...
    this is made from a recycled piano key, and etched and inked like scrimshaw
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    Karen Escovitz
    ~~~~~~~~~~~~~~
    Otter OM #1
    Brian Dean OM #32
    Old Wave Mandola #372
    Phoenix Neoclassical #256
    ~~~~~~~~~~~~~~~~~~~
    If you're gonna walk on thin ice, you might as well dance!

  8. #83
    Registered User steve V. johnson's Avatar
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    Ahhhhhh.... Otters.....


    stv
    steve V. johnson

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  9. #84
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    Otterly 2k:

    otterly amazing.

    Nice job - how does it sound
    Curt P

    Eastman 615 #59
    Eastman 814, #59

  10. #85
    Cafe Linux Mommy danb's Avatar
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    Here are some shots of my fairly odd hybrid 5-string tenor guitar. It's sort of a resonator cittern I suppose.. I tune it GDAEA bass to treble, and play it somewhere like a tenor banjo for lead and somewhere like my sobell for backing

    This is a Chanticleer, made by Patrick Arbuthnot of Norwich, England. He also made my 4-string reso-tenor, and is currently supplying Stefan Sobell with his tailpieces too. These are really a blast to play, I'm suprised they haven't caught on more with mandolin players.



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  11. #86
    Cafe Linux Mommy danb's Avatar
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    5 pegs
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  12. #87
    Cafe Linux Mommy danb's Avatar
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    You can fry hamburgers here when you pick hard enough
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  13. #88
    Cafe Linux Mommy danb's Avatar
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    5-string tailpiece
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  14. #89
    Cafe Linux Mommy danb's Avatar
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    Oops, gotta play with the wide angle some more..
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  15. #90
    aka aldimandola Michael Wolf's Avatar
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    Ah, that's the five string from Patrick. I was already awaiting some pics of this. I saw this body design before, when Patrick sent me some pics of what he's fighting with at the moment. Maybe it was yours. Very nice and a bit funny too.
    I see that it has a pick-grid under the "dove-holes". Good idea.
    What scale length does it have? It seems to be two frets shorter than standard. Did you alter the form of the body somewhat, compared to the national model (except the horn of course)?




  16. #91
    Registered User Greg Stec's Avatar
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    Here's what was loaned to me to play for the Baltimore MO (and doing it quitely nicely, IMHO)
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  17. #92
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    And here's the 1912(?) H-1 I found on Craigslist (Phoenix, AZ).
    It does have a surface crack on the face that runs parallel to the fretboard, but it does not go thru the face. The previous owner said it was given to him, and was in sad shape. He said he had it 'restored' by someone in AZ. I don't know what all he did, but fretboard plays great. IMHO, like it was new. Great intonation passed (WAY passed) the 12th fret. Coordinance is right on.
    I'm going to see my favorite luthier about the crack.
    Enjoy the pix.
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  18. #93
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    The face
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  19. #94
    Cafe Linux Mommy danb's Avatar
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    Quote Originally Posted by (K5player @ Feb. 17 2008, 07:00)
    Here's what was loaned to me to play for the Baltimore MO (and doing it quitely nicely, IMHO)
    Now I bet that's a nice sounding cello
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  20. #95
    Cafe Linux Mommy danb's Avatar
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    Quote Originally Posted by (aldimandola @ Feb. 16 2008, 15:34)
    What scale length does it have? It seems to be two frets shorter than standard. Did you alter the form of the body somewhat, compared to the national model (except the horn of course)?
    Well the design was all Patrick's. He had this body before (it was green, then white primer in a couple photos). I'd borrowed it once before from him set up as an 8-string bouzouki. He added the grille and paint color this time around.

    It's a bit wider than a national at the lower bout. This is a 21" scale which was nicked from my short-scale Sobell cittern.

    The cutaway is very nice, I never realized before having one how much more accessible that makes the high frets. The "horn" is also handy for hooking on your leg when you play
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  21. #96
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    Here are some pics of my Nyberg
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  22. The following members say thank you to Danny Packer for this post:


  23. #97
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    Front
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  24. #98
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    back
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  25. #99
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    headstock
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  26. #100
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    Danny,

    thanks! I haven't seen a Nyberg in a really long time!

    That distinctive tailpiece... how nice....!

    stv
    steve V. johnson

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