Blip,
the recomendations to the musicians is great so far. I would like to stick my head out there and point you to some iconic records (along with my take why I think they are)
1. Bill Monroe
- The Essential Bill Monroe (because that´s what all bluegrass is modeled after; you have to take the fast stuff [which is there] with the slower stuff to understand how it is put together)
- Bluegrass Time (citybilly bluegrass with Bill at the helm; this contains some of the best newer Monroe; here too, you have to take the fast with the slower; here is a referrence to what´s on the record)
2. Jimmy Martin had good mando pickers. Like swampstomper said Paul Williams is one of the best
- Don´t Cry To Me (as a compilation of Jimmy´s and notably Paul´s work this is great; the DVD is not half bad either; here too, take the fast with the not so fast to understand the music better)
3. Lester Flatt had Marty Stuart in his Nashville Grass. That was great
- Essential Bluegrass Gospel (mostly not fast but very, very nice picking by Martiy Stuart [on the guitar too])
4. Osborne Bros. (you can´t leave Bobby Osborne out)
- 1956-1968 (I allways figured that they played awfully fast; maybe it´s not so, maybe it´s just their smoothness that makes listening to fast notes easy)
5. David Grisman (an iconic musician by any means)
- David Grisman Bluegrass Experience (some tunes are fast, while all in all the record shows what [modern] bluegrass is about)
6. Del McCoury Band (with Ronnie McCoury on the mandolin, he pulls an awesome tone)
- The Family (with some fast stuff, again a great way to show what bluegrass is about)
7 Ricky Skaggs (now he´s the guy who may float your boat as he surely does play fast)
- Live At Charleston Music Hall (an awesome live album with mighty fast picking)
- Honoring The Fathers... (a take on the classic early Bill Monroe recordings mentioned above, some mighty fast picking there, though not all)
Mind you, a lot of Bluegrass was played mighty fast in the 70ies to my mind. I think it hurt the expression in the music and guys like Bill Monroe, Joe Val, Frank Wakefield, Mike Compton, David Grisman, Ronnie McCoury ... show you how good bluegrass can sound when played at a slower tempo. Also you might mistake the tempo for being slow until you try to pick with the record. Some music will make you blush when you foul up because you cant keep up with the music. Playing fast and in time is very hard to acomplish. If you listen to the 70ies Bill Monroe "Bean Blossom" record (the one with the frog) you´ll hear Lester Flatt´s Nashville Grass burning it up, though the tempo keeps coming and going. Things like that may happen, but I like it better when the picking is on thime. I´d sacrifice speed for that any time.
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