You had the fun, now weŽd like to see you sweat.
I am really interested in the description of sound, playability, differences, similarities.
I have provoked raised eyebrows with the owner of a mandolin when I commented on the different sound character of his mandolin as opposed to a mandolin 2 serial numbers off. Both were Gils both were 2000 models (if I am right), both were tone bar models ... yet they sounded different. This was very interesting. Both were very good mandolins...
Olaf
I believe a a year or two ago Steve mentioned that he was changing the voicing on his Model 5s. That and the fact that the 2009 was brand new and hadn't come close to opening up yet explains the obvious difference between that mandolin and the others. I leave comments on the qualities of the other Gils to the other owners who were present. - KenR
I was told that also, but I am not aware of what Steve is shooting for. Considering that mine has a flowerpot and is side-bound, "maybe" (and I stress maybe because I don' know) Steve is going for a Loar sound.
I can say that even though each mandolin sounded different, they all sounded like a Gilchrist to me. That meaning they all had many unique similarities as well.
Patience is not one of my virtues, I sure hope I don't have to wait 23 years for mine to sound like Keith's. I should mention that I thought they all sounded great. It was a BLAST!
MojoMando
In reading the Compton interview and talking to Gilchrist at the past two Symposiums, I would offer that the sound he is still working on is his idea of what a Loar sounded like when new. The idea of bell like clarity and huge projection and tons of mid-range power. It speaks to his wood choices and fitting (tuner, nut, saddle, etc) choices.
I have a nice group of Gil photos from the mid 90's that I will try to scan and get on the cafe as soon as I get a bit of time. I have never played a Gil that I did not like. Great mandolins by a great builder.
Have a Great Day!
Joe Vest
Great picture!!!
I like the 3 and 5 Jrs...a lot!
Glad you enjoyed the music, mtucker. Here's 4 Gilchrists from when Mike Compton and David Long visited New Mexico several years ago. Sorry I don't have dates and numbers for all. L to R: my 99452, David Long's 5 (Monroeized headstock), Mike Compton's 4 & 5. I think Mike was playing #500 then.
2010 Heiden A5, 2020 Pomeroy oval A, 2013 Kentucky KM1000 F5, 2012 Girouard A Mandola w ff holes, 2001 Old Wave A oval octave
http://HillbillyChamberMusic.bandcamp.com
Videos: https://www.youtube.com/@hillbillychambermusic
My 99451 x braced, flowerpot and awesome sound.
This is starting Gil MAS all over again! Great photos!
Shaun Garrity
http://www.youtube.com/user/spgokc78
Sound, we need sound!
Totally droolworthy pics to be sure!
2015 Chevy Silverado
2 bottles of Knob Creek bourbon
1953 modified Kay string bass named "Bambi"
Droolworthy is right! Thanks for the pics everyone...
Don - Mike C and David L played a house concert that we hosted several years ago and Mike was playing #500 then. Unbelievably great sounding mandolin. Of course the player may have had a little to do with that as well!!!
20-fretters, I love it!
#419, 20-fretter, just like I pictured (and asked for) it
Nice distressing job, too. Bet it sounds just right.
2010 Heiden A5, 2020 Pomeroy oval A, 2013 Kentucky KM1000 F5, 2012 Girouard A Mandola w ff holes, 2001 Old Wave A oval octave
http://HillbillyChamberMusic.bandcamp.com
Videos: https://www.youtube.com/@hillbillychambermusic
419
love the "thee", looks like a monsta!
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