Re: "italian" bowlbacks
Having lived and worked in Italy for a while, I know what you mean by your social commentary. By way of personal cross-reference, when I once mentioned in passing to my Roman-born composition teacher that I played the mandolin, he gave me a look as if I had admitted to some socially reprehensible, unsavory habit, like betting money on dogfights, or walking the streets at night, wine-bottle in hand.
Yet I'm also afraid that you are greatly overestimating the universality of the ukelele; in much (most?) of the world, it is virtually unheard of. The mandolin is believed to have its "dark side", with the condescending pasta, pizza e mandolino an elegant side-step to bringing up instead poverty, squalor, and organized crime— all the stereotypes visited upon l'Italia meridionale by outsiders, fellow-Italians and foreigners alike.
I can only add that the notion of an allegedly pan-Hellenic bouzouki deserves an equally qualified approval: the darling child of repatriated, Levantine Greeks, it was never the ubiquitous instrument it is held to be by foreigners; in fact, it was virtually non-existent on most of the islands, i.e. where my family came from. In fact, the plucked instrument to be found most commonly there was... the mandolin ;-) Nothing to hold against the bouzouki, of course, but a closer look naturally reveals more detail and nuance.
I'd say: enjoy them all! He who gets entirely too caught up in "us" vs "them" is simply narrow-minded, IMHO.
Cheers,
Victor
It is not man that lives but his work. (Ioannis Kapodistrias)
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