Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
Wow. I feel like I need to pull out a dictionary for this thread! I often find myself becoming annoyed at myself when I use some of these words. I always wish there were better ways to describe sound, but it is a pretty nebulous task at times. The word that has already been covered here that I am the most guilty of overusing is "woody". The only blanker looks I get when describing musical instruments to people is when I drop the euphonium bomb on them...
http://www.youtube.com/v/-gwXJsWHupg?fs=1&hl=en_US
Gorn ... gorn. It's got a sort of woody quality about it. Gorn. Gorn. Much better than `newspaper' or `litterbin'.
There are two things to aim at in life: first, to get what you want; and, after that, to enjoy it. Only the wisest of mankind achieve the second. Logan Pearsall Smith, 1865 - 1946
+ Give Blood, Save a Life +
I love this thread. I love it so much I wrote "The Adjective Song". I played it on my woody, woofy, resonant, bell-like, balanced, and tubby McGillicuddy F-6, but found that it sounds so much more appropriate on my metallic-sounding, meowy, dissonant, log-like, biased, and showery Bill Ditt number 6. Check it out, I mean it.
"When I heard what Socrates had done on the lyre, I wished indeed even [I had done] that...but certainly I labored hard in letters!" - Cicero, "Cato the Elder on Old Age"
Weber Gallatin Mahogany F
19th Century Ferrari(?) Bowlback
Early 20th Century British Mandoline-Banjo & Deering Goodtime Tenor
1960s Harmony Baritone Ukelele
The Magic Fluke Flea Soprano Ukelele (in 5ths!)
1910 German Stradivarius 1717 copy, unknown maker
1890(?) German Stradivarius 1725 copy, G.A. Pfreztschner, maker
Here's another one I ran across recently, in an online store's web page description of an instrument for sale. It's a well-respected store, describing a well-respected luthier's top model, and yes I know it's a tough business, but still...
Great sounding mandolin--throaty and loud with lots of wood and pith. World-class in every way.
I think "throaty" might be new in this thread, but at least I can understand what they're going for there. On the other hand, what the heck is "pith?" Is pith something I want in my mandolin tone? A pithy tone? I dunno...
"Hey, pal... your mandolin sounds really pithy!"
I'd be upthet if thomeone pithed in my mandolin!
Nelson
Madison, Alabama
--------------------
2011 Duff F5
1928 Gibson A
This does not exactly belong here, but I really hate it when someone lists (mainly on Ebay) an instrument as a Gibson then puts in the description that is an an Epiphone by Gibson (or Squier by Fender), etc.
Nelson
Madison, Alabama
--------------------
2011 Duff F5
1928 Gibson A
I dislike "tubby".....not the word, the sound.....
But Amsterdam was always good for grieving
And London never fails to leave me blue
And Paris never was my kinda town
So I walked around with the Ft. Worth Blues
Personally, I like "axe," and since mandolin is an instrument for which the term "chop" is used quite often, it seems appropriate. But what I don't like are "deep" and "full." After all, mandolins are just a bit too trebly (not crazy about that one either, but in this context ...) for those to apply, and they get used way too often to be very meaningful, as do "rich" and "complex," and the very mandolin-specific "Loar-like" and similar overblown constructs. Except in the case of my axe, with its deep, full, rich, and complex Loar-like tone.
Ummm ... One jug band I've played with, the washboard player thought it was cute to literally take a break when his name was called - just stand there with a few seconds of silence before launching in; or if not, then do so in the middle of his break - I mean, lead - especially in a stop=time section. After a couple of these it gets old; but on the other hand, he was awfully good, and this was part of his schtick, and probably has been for fifty years ... so as annoying as it may be, it's a small price to pay . And it wouldn't be the same if he didn't do this. Still, ever since, I have been careful to say "take a lead" instead of "take a break." In general.
But that's just my opinion. I could be wrong. - Dennis Miller
Furthering Mandolin Consciousness
Finders Keepers, my duo with the astoundingly talented and versatile Patti Rothberg. Our EP is finally done, and available! PM me, while they last!
These words are kind of 'gearhead' 'inside baseball'. Really, they're the kind things guys who play and sample a lot of instruments say to try and communicate what they thinking about the instruments being played. Without the instrument at hand to provide context, they are semi-meaningless.
George Wilson
Weber Bighorn Mandolin
ca. 1900 Clifford Mandolinetto
Martin Guitars
Moist.
Heiden F-5 #110
GMC Terrain VIN 2GTEC13Z871107423
2007 Tempurpedic mattress
$1.35 in assorted change
Not sound-related, but at the top of my personal Irrational Hate List is "taking it to the next level." Don't tell me you are "taking your playing to the next level" unless you are actually moving your practice room upstairs!
My mandolin, on the other hand, is quite nimble, with an atavistic pick attack and a rather droll undertone.
If I call my guitar my "axe," does that mean my mandolin is my hatchet?
Breedlove Quartz KF
Kit Built Oval Hole
Martin 000M
Highland Harp
https://store.cdbaby.com/cd/mattdeblass2
Feed My Ego, Visit My Youtube Page
From 250sc - "Hoss and banjo killer just make me roll my eyes " - Spoken only by those who aren't around Banjos too much.
I'm too busy to care about phraseology used by others,having used many 'off-the-wall' terms myself over the years. My own Mando's as sweet as can be,plays like silky smooth butter & chops,barks & howls like all h**l let loose - there,grab onto that & hold tight !!,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tokai - 'Tele-alike'.
Ellis DeLuxe "A" style.
My drum kit is a banjo killer.
A chainsaw or a sledgehammer is a banjo killer.
Dave H
Eastman 615 mandola
2011 Weber Bitteroot A5
2012 Weber Bitteroot F5
Eastman MD 915V
Gibson F9
2016 Capek ' Bob ' standard scale tenor banjo
Ibanez Artist 5 string
2001 Paul Shippey oval hole
What a floopy thread. Now back to playing my well-seasoned OM with its throaty, fifthish sound...
the world is better off without bad ideas, good ideas are better off without the world
I can't stand "Mandolin Tasting". It makes as much sense as "plays like butter".
I wandered again to my home in the mountains....
a few have mentioned their distaste for "Gibby".....i'll counter w my dislike of "Flatty" for Flatirons.
just groove, baby!
I still need your string labels!
now, i have been guilty of using "demure" to describe my '77 EPI oval hole.
earlier someone mentioned being bugged by people listing Epiphone instruments as Gibsons.....agreed. and you see this all time w Squiers being listed as FENDERS.
just groove, baby!
I still need your string labels!
This thread is sweeeeeeeeeeeeeeeeeeet!
______________________________
Your problem is, you think you have enough time.
For some reason, 'bone does not rankle me feathers as Flatty or Gibby does.
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