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Thread: Strings Of Triplets

  1. #1
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    Let's try this instead:

    You are playing a reel, and the tune contains several measures of triplets, what pick strokes are best to use when playing the triplets.

    thanks.



    I play badly enough not to be terribly good, and good enough not to be terribly bad.

  2. #2

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    I try to start any measure with a down stroke. eight notes, triplets, sixteenths, all get a steady up and down picking,
    quarter notes, I may go, down, down depending on speed.

    really you have to use what is going to "land" you on the next string course. a reel is 6/8 ? so triplets should fit right in?
    d-u-d , u-d-u next measure = d again, seems to work fine.


    thats my $.02 whatever its worth.

  3. #3
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    Thanks. Without the benefit of a teacher, there are some things I'm not quite sure how to approach. Appreiciate your time in responding.
    I play badly enough not to be terribly good, and good enough not to be terribly bad.

  4. #4
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    It's been a frequent query here and on CoMando- I advocate DDU DDU, Roger Landes and most other trad irish players use DUD DUD. In a jig, that helps define the pulse of the melody.

    I'll use that exact pattern when rattling off a stream of triplets at the last measure or two of a hornpipe as well, is that the sort of context you were wondering about? In a reel, sometimes if you are cramming in 6 notes in the space of a normal triplet, that becomes a "tremelo" which many bluegrassers will do as DUDUDU DUDUDU DUDUDU.
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  5. #5
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    Yes, that's exactly what I'm doing (the hornpipe). There are three measures comprosied mainly of triplets. I've tried dududu, but have a hard time staying in time. I keep going to fast. If I use dud, dud, dud, it helps me stay on the beat.

    I just wasn't sure if there was a technically correct way to play them.
    I play badly enough not to be terribly good, and good enough not to be terribly bad.

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