Hello,
This has come up for auction: a ´Celebrated "Peate" Mandolin´. Special "Peate" Model. G.A. Peate. Utica, N.Y.
Click here for more photos.
Any information - Eugene or Jim? - on these ´celebrated´ mandolins and who made them?
Greetings,
Alex
Hello,
This has come up for auction: a ´Celebrated "Peate" Mandolin´. Special "Peate" Model. G.A. Peate. Utica, N.Y.
Click here for more photos.
Any information - Eugene or Jim? - on these ´celebrated´ mandolins and who made them?
Greetings,
Alex
This is the second time around for this mandolin. First time around, the starting bid was $500.00. I still think it is too expensive.
Robert A. Margo
It looks suspiciously like a low-end piece by Luigi Ricca with horrendous replacement bridge and tailpiece. Ricca's shop was in NYC.
I have a method published in New York 1919 by Geo. A. Peate (cover below). I would agree with Eugene that these were likely made for Peate by a large maker like Ricca. In fact the sort of rounded soundhole edge can be found on some Riccas. Scary bridge tho that caused some reall damage to the top.
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
I just noticed the illustration on the cover (see closeup) has a guy serenading his girl with a liuto cantabile or mandocello. How esoteric!!
Jim
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
No scales or exercises in the Peate book?
Just think of all the time we've wasted on such insignificant details.
Mark Levesque and Judy Handler
International and Classical Music
http://www.judyandmark.com
http://www.youtube.com/user/acousticblend
The New American Mandolin Ensemble on YouTube
https://www.youtube.com/channel/UC4L...uROoOXFj6GVSg/
...and written so YOU can understand it!Originally Posted by (Mark @ Feb. 18 2004, 20:36)
No scales or exercises in the Peate book?
Just think of all the time we've wasted on such insignificant details.
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
This is getting interesting and deeply mysterious... did you notice that the guy in the cover is playing his mandocello/liuto cantabile fingerstyle?
Alex, Richard, Eric ... where are you?
;-) Arto
Arto, you are right!
I completely overlooked that, probably thinking that it was his paddle since I didn´t see any strings.
But now, with a 2nd look....
yes...,
perhaps..
and seeing a glued bridge..
and no tail-piece...
Yip!
It could be - although somewhat modernised - a Mandora, or a big, very very rare composite Mandolono Milanese or even one of those German Lute-Guitars that somebody swam accros the ocean with.
Thumb inwards lute-like playing mannner, little finger placed on the table;
this must be a real Maestro (maybe Peate himself?)!
Like the frogs in the front of the print; a happy and very relaxed couple indeed
the drawing quality looks typical for turn of the century ads. like a "sears-robuck artist" lent his time to this..
maybe it is some real great mandolinist in this pic. mabye its a sears-robuck "oar-mandolin". turn of the century american capitalists were thinking of all kindsa crap to sell. .. not that they have stopped.
Gentlemen, gentlemen, please!
This is a most historically valuable document: It predates by far all those "XYZ for Dummies" publications. And where would we all be without those?
P.S. Is there anything good anyone can say about those German lute-guitars? At least —and much to my relief— the instrument this fellow is playing is certainly NOT a Greek bouzouki.
It is not man that lives but his work. (Ioannis Kapodistrias)
I believe the gentleman pictured was a real pioneer of the early-music movement endeavoring to rediscover a historically correct approach to the celebrated Peate colascione.
I personally want to know more about a system that turns work into play.
This could have wonderful implications for my life in general, but my suspicious nature leads me to believe that the modern solution would involve subtracting salary from the equation.
at least it doesnt say "hot licks" anywhere on it.
Oh, Bob...
(First of all, glad to have you back amongst us.)
When I was still an errant, young musician, I knew exactly what those seasonal jobs were like, those that were advertised as "Come play in the wonderful XYZ mountains/resort/beach, etc. etc. where EVERYthing is beautiful —why, even the management is beautiful!— etc. etc., enjoy an invigorating artistic experience, etc., etc."
In plain English, that generally translated into: Minimum Wage.
But the premise of the ad is false, I'm afraid: How many of us view mandolin playing as some sort of a chore? If none (as I suspect), then it stands to reason that we also view learning how to play equally pleasurable; ergo, the usefulness of those, so often yet also so wrongly maligned [QUOTE]"scales or exercises" Why would one NOT wish to learn how to get his/her kite off the ground?
It is not man that lives but his work. (Ioannis Kapodistrias)
Posting Permissions
Reply With Quote
Bookmarks