John, that's some scroll! I like it.
John, that's some scroll! I like it.
Wow!!!!
John was kind enough to send me the Scottish to check out and I am blown away by it. Volume, punch, tone city, the thing pretty much plays itself and looks like a museum quality work of art. I was really impressed by one of his previous efforts but this one leaves it in the dust!
I'll say it here so I can be among the first to climb firmly on the bandwagon. You may not have heard a lot about John at this point in time but if he keeps turning out instruments like this, that will change *very* soon! Hey kids -- keep your eyes (and ears) on this guy!!!!
WJF
Disclaimer ... I have no financial interest in John or his mandolins besides being on the waiting list for one ... can't wait
Bluegrass ... "It's Folk Music With An Overbite" (Robert Shelton)
www.waynefugate.com
Here's a new look I'm trying. This instrument will be amber-honey-blonde with all black highlights ,tailpiece cover ,tuner buttons ,etc.
Wow ,that came out big! I think Scott's increased the allowable size. Here's another angle. I inked in the loops and dot on my name. I have to engrave and ink that yet.
My now defunct peghead overlay/inlay
Darryl G. Wolfe, The F5 Journal
www.f5journal.com
Defunct? I would think you fall into the "grandfather" clause in legal terms since you did this years ago before
the new copy laws were made public to you. You can always have two peghead overlays. One for the privacy of your
own pleasure, pop it out and put on your second one for
public appearances with the "Wolfe" logo at the top. Make
it so it's as easy as changing a pickguard.
Doing my best to get in over my head here.
#2 (poplar with mahogany blocks)
#3 and #4 (curly maple)
Looks like my shop..just a little dust and spider webs missing
Darryl G. Wolfe, The F5 Journal
www.f5journal.com
http://www.kennaquhair.com/sn174/sn174_page3.htm
check it out.
the binding is on the body and it looks maaaaaaaaaavelous.
thinking of leaving it natural as it looks so nice.
Mandoluthier1 The Scottish looks great! How do you keep the maple so white? Is this one of your deflection tuned models? If so the review states much about your process. Innovative and incredible, I wonder whats next on your R&D journey. John
My avatar is of my OldWave Oval A
Creativity is just doing something wierd and finding out others like it.
Jim Hilburn
Your new inlay is such nicer and more artistic than the so called gibson "flowerpot" that any buyer/customer would opt for it, in my opinion. Don't look back and regret not ever doing the old flowerpot, which to me, was nothing special to begin with. Your mandos show real craftsmanship.
Mike in OR
Mike Elia
I don't have pictures but I do have a mandolin in progress.
Sim Daley (www.simdaley.com) is building his Standard model for me. Its similar to the F5G as far as binding, inlays, etc...
Sim invited me up to check it out while its "in the white" before he finishes it. I went up to his shop in Nashville (actually Goodlettsville) from Memphis and gave it a test drive Saturday morning.
Its a fantastic mandolin. Great chop, awesome low end (which is what I was really after), great tone and volume.
Sim couldn't be easier to work with and has made sure that the mandolin winds up being just what I want.
Also had a great time jamming with Sim and his wife Missy later that day at a festival in Ridge Top, TN.
It was really a great Saturday - I'll try to post pics as soon as I get it.
John Gay
Memphis
getting toward the home stretch-check it out!
http://www.kennaquhair.com/sn174/sn174_page3.htm
Thought you would like to see my method of cutting the mandolin neck dovetail. This photo shows the modified cutters for my three cutter moulding block used on my saw bench.
Bob Deacon
Here is the neck jig. The jig is used both ends to cut both neck shoulders. This is not my invention, it can be attributed Don Macrostie, as he demonstrates it on his Making a mandolin video set.
Bob Deacon
Here are a couple of test pieces. I`ve made the body routing jig and the neck in the foreground is the right size but has a little too much taper. I can rectify this by reducing the layers of masking tape on the jig. The curve of the neck shoulders are spot on. I had to creep up on the profile in three grinding sessions making tests after each grinding.
Bob Deacon
bobz, Where did you get the cutters and how much $?
Hi Chris,
The cutters came with the moulding block set, ( they were originally straight rebating cutters ), but I`ve reground them myself. I purchased this cutter block about 15 years ago when I was building furniture but never used it because I had a two cutter block with many more profiles, so I kept using that instead. I now have a use for this block after all these years, and the three knife block is better for cutting across the endgrain of a mando neck.
Incidently, we can`t buy a block like this in the UK anymore because of EU ruling that does`nt allow moulding blocks to be mounted on saw benches, deeming it an unsafe practice. Sawbenches sold in this country now have too short an arbor to mount a block.
Bob Deacon
Bob Deacon
sorry, forgot to write- probable rosette for my mando- rosewood with maple and sunray inlays made of recycled ivory keys.
can't seem to get pic posted- you can check out rosette at:
http://www.kennaquhair.com/sn174/sn174_page3.htm
heres what happened to those bent sides in the sept 5 pic:
sweet 16!
my mandolin "The Scot" # 7 . it will be finished this week.
the front
peghead inlay
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