I don't see this number listed in the archives..Is it not a known Loar?https://secure.skinnerinc.com/asp/fu...refno=++961589
I don't see this number listed in the archives..Is it not a known Loar?https://secure.skinnerinc.com/asp/fu...refno=++961589
Hughes F-5 #1
Hughes A model #1
1922 Gibson A-2
1958 Gibson A-5
Signature label is unusual.. cross-checking a bunch of photos I have
Well it was that little "th" after 13 that caught my eye. This is the only one that has that in the entire archive! There is always something new to see.
There are a number of little details I look for on the label itself too.. they all look just right, and so does the whole instrument! It looks like a very nice example condition-wise, with a super-clean neck too.
Last edited by danb; Sep-29-2012 at 12:16pm.
Isn't that estimation on the low side?
It'll be interesting to see what this one goes for. The wood is pretty plain and no pickguard? But man, it appears to be in excellent condition. Lots of newly discovered F5s showing up in the last few months! It's a great time to buy if you've got the scratch.
Shaun Garrity
http://www.youtube.com/user/spgokc78
I think it's a great price but it IS an auction..only takes 2 to run it up..I suspect if it's real it will surpass the estimate though the economy is still in the toilet,at least as far as we here in the contracting business are concerned...I asked the wife again if we could trade the house for a mando and just camp for a couple years..same response as the last loar that appeared a little while back..(rolling eyes)
Hughes F-5 #1
Hughes A model #1
1922 Gibson A-2
1958 Gibson A-5
I had to check but the 13th of June 1923 was a Wednesday.
Not the only very unusual feature. All the top bound pre-war F-5s I've checked in the archive have the purfling laid in using the traditional violin technique, where the join in the scroll allows one strip of purfling to run to the edge of the binding. This instrument is bound in the post-war style with a symmetrical joint.
The front scroll:
The back scroll:
Interesting label, with the "th" and the slanting of his "L's" which I know I have only seen maybe once before... I would love for the folks that know his signature to comment on this peculiarity.... Seems like his "L's" alwaus have that lift from high rather than approaching from low.... just another oddity....
Looks like a beautiful mandolin
John D
Calling Mr. Wolfe........
Those little details that have been pointed out that are out of the norm makes one wonder whether this mandolin needs a closer examination to determine whether it really is the real deal or not. Whether any of the other June 13 signed mandolins in the archives have that mitered joint in the scroll binding might shed some light on that aspect, and the "th" never appearing anywhere else is curious indeed. Does someone break a habit like that one time?
Rroyd- I think the join is not unusual at all, but I might have mis-understood the previous posting. I found a bunch of them one way (one line of binding goes to the end, another butts it), a bunch the other (like I posted.. both are cut in a "V" shape and meet at the middle of the L-shape).
It's safe to say that there was more than one Luthier making what would eventually become a Loar-signed F5.. there a lots of little variations in build and finish.
I would think that if the label was a forgery, the "th", or its absence, is something the forger would have gotten correct. Its too obvious a thing.
One thing about those close up scroll pictures, even with a $100,000 instrument it sure is ugly in there. Makes me feel MUCH better about the scroll on the LM-600 I had.
My observation on auction houses is that they tend to estimate low and when it goes for considerably more, it becomes news that they can use for publicity, thereby attracting any one else who has a similar item they might want to consign. You know, like: "This instrument went for more than double the estimate."
Jim
My Stream on Soundcloud
19th Century Tunes
Playing lately:
1924 Gibson A4 - 2018 Campanella A-5 - 2007 Brentrup A4C - 1915 Frank Merwin Ashley violin - Huss & Dalton DS - 1923 Gibson A2 black snakehead - '83 Flatiron A5-2 - 1939 Gibson L-00 - 1936 Epiphone Deluxe - 1928 Gibson L-5 - ca. 1890s Fairbanks Senator Banjo - ca. 1923 Vega Style M tenor banjo - ca. 1920 Weymann Style 25 Mandolin-Banjo - National RM-1
73673 on the top
73682 on the bottom
Unusual signature, but it matches this one and another signed very close in date
To me the mandolin looks perfectly authentic. The scroll caught my eyes bu tnot because of miter but relatively poor execution. All four mandolins Dan posted above have scrolls much nicer - smooth bends and nicer circle. Could be one of the first attempts of a new employee. Everything fits in the early '23, binding with more prominent white-black line, bookmatched maple, spruce with visible off-quarter grain, correct shape of smaller scroll on headstock and also the larger scroll is typical for this period (few months later the shape changed slightly), even the headstock positioning pin is where it's supposed to be. The signature label appears to be cleaned with something too damp - perhaps piece of cloth on a wire that caused bleeding of the ink. Otherwise the label appears correct, notice the larger space between two e's in word "engine er", also the correct shape of f-b extension for this period. And I could go on... There's no Loar copy I've seen that had just few of these details correct.
Looks like it possibly got thoroughly cleaned and (french-)polished and maybe some color touch-up on neck? Just guessing from the pics...
Adrian
That's one fine looking mandolin! And, that price ... still out of rich ... but within my dreams ...
This is one of those threads that I really get excited about. I'm constantly checking back to see the experts opinions on it. If only I had the funds to make the ultimate investigation.
Mandolin, Guitar, & Bass for Doug Rawling & The Caraganas
www.dougrawling.com
2008 Kentucky KM-1000
2014 Martin D-28 Authentic 1937
1964 Gibson LG-0
2022 Sigma SDR-45VS
Oh boy ! - I wouldn't mind driving that one for a while.It's a beauty,
Ivan
Weber F-5 'Fern'.
Lebeda F-5 "Special".
Stelling Bellflower BANJO
Tokai - 'Tele-alike'.
Ellis DeLuxe "A" style.
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