Originally Posted by
Rewjeo
Assuming I'm reading that right, that chord is D F Ab C, right? That would be a half-diminished seventh chord, with a fully diminished being D F Ab Cb (no, not B. I promise it matters. Kind of.) From a theory perspective, all three versions of a diminished chord have fundamentally the same function, with basically some differences in flavor.
I'm curious as to what anyone thinks the mandolin equivalent of some of the violin techniques Paganini uses would be. His up-bow staccato, or alternating between bow and left-hand pizzicato, for instance. How would you imitate those effects with a pick?
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